Michael Lobelさんのイラストまとめ

"Under Control," an early commercial illustration. Some of Hopper's earliest extant drawings, made during his childhood, are of firemen at burning buildings

@boribarcelonina It's actually @whitneymuseum: https://t.co/olLanGMuvj. He did a number of paintings while at Hillside Hospital, including Creative Therapy, which is in @ClevelandArt collection

An issue that artists like Jacob Lawrence were trying to draw attention to for years & years https://t.co/XaUfr4IPDW

A luminous Still Life with Nectarines by Hughie Lee-Smith at ⁦@SwannGalleries⁩ African American art sale

Self-portrait of the artist with hand on forehead, 1910 @MuseumModernArt https://t.co/jRZHeq6EGC

Ruth Asawa, Spring, 1965 @ngadc https://t.co/PrQ1d6r7Pu

@RealSparklePony And also maybe Copley?

Why do I research, teach, and write about art history? Because artworks from the past continue to resonate so strongly with us in the present. Case in point: Refugees, c. 1938, by African American artist Robert Blackburn, one of the most gifted modern printmakers

In his 1944 collage picture "Headlines," created in the midst of World War II, Charles White uses aesthetic means to convey the concern and distress prompted by the day's news, a resonant experience for many of us of late

Because we could all probably use a brief timeline cleanse, a thread of Ruth Asawa's stunning, resplendent flowers. First up: Poppy, 1965