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“Henri Matisse: drawing with scissors” https://t.co/orq9EUL6Jj
“Painting with Scissors—Why We Love Matisse Cut Outs” https://t.co/uCtA9NOq3p
Gouaches découpés https://t.co/jD7ZxGztay
Henri Matisse: The Cut-Outs https://t.co/DX9OP4C5BD @MuseumModernArt
“Nu bleu IV” @CentrePompidou
Rembrandt Harmensz. van Rijn paintings in the Frick Collection @frickcollection
“Self-Portrait” (1658); “Nicolaes Ruts” (1631); “The Polish Rider” (1655) #Rembrandt
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Gerard David, “Deposition” (c. 1500) @frickcollection PDF “Gerard David: Purity of Vision in an Age of Transition” https://t.co/wOfZ4zr2ja @metmuseum #GoodFriday
Simon Vouet, né le 9 janvier 1590, “Self-Portrait” (1627) @mbalyon; “Presentation in the Temple” (1640) @MuseeLouvre; “Venus and Adonis” (1642) @GettyMuseum; “The Rape of Europa” (1640) @museothyssen https://t.co/rqM9SJy3c4 https://t.co/Bk08PAR1pA #SimonVouet #FrenchBaroque
Michelangelo, “The Torment of St Anthony,” the artist’s earliest extant easel painting, from @KimballArt after a print on the same theme by Martin Schongauer @ngadc #Michelangelo @metmuseum
Constable's cloud studies https://t.co/NNc0ZhD2Um https://t.co/cMnJjgCLAn https://t.co/OSQ9mFWMUh #JohnConstable @YaleBritishArt @Tate
James McNeill Whistler (1834-1903) "Reading by Lamplight" etching (1858) Metropolitan Museum of Art, New York City.