Oud Hollandさんのイラストまとめ

3 new reviews published on Oud Holland Reviews:
✓ Lucas Gassel @MuseumHelmond
✓ Nicolaes Maes @Mauritshuis / @NationalGallery with Pieter de Hooch @PrinsenhofDelft
✓ 'Rembrandt: The complete drawings and etchings'
Go to: https://t.co/S9HfZx3vCZ

The official poster for the famous 1902 exhibition stressed the connection between the artistic tradition and the quintessentially Flemish city of Bruges, which appears as the backdrop to and cradle for the Eyckian revolution. https://t.co/IsbwUnY9il

With thanks to our guest editors Alison Hokanson and Edward H. Wouk, we are proud to present our special theme issue: Early Netherlandish art in the long nineteenth century. https://t.co/IsbwUnY9il @RKDnl

For the autumn edition of Oud Holland Online Reviews, 3 authors discuss recently published books and exhibitions – with topics ranging from 17th-century advertisements, the Utrecht Caravaggisti and Frans Hals’ family portraits. https://t.co/U8kVFZdO88

Michiel van Groesen: The discovery of 'View of Recife' @schpvrtmsm provides strong evidence that Abraham Willaerts should be mentioned as the third artist at the Court of Johan Maurits in Brazil, together with Frans Post and Albert Eckhout. @UniLeidenNews https://t.co/3OYZIOVspg

After 132 volumes on paper, Oud Holland @RKDnl is pleased to announce a digital platform for up-to-date discussions on art of the Low Countries. Go to https://t.co/vOh8i7Bcz4 for reviews, back issues and more.

Abraham Bloemaert's painting of 1624 presently shows the black Magus on the right because the painting has been trimmed. The preparatory drawing shows that he was originally somewhat to the right of the center. See Oud Holland 131, pp. 123-132.

Harald Deceulaer and Ann Diels investigate the vanished art collection of Isabella Van Laer. The loss of the paintings must have had a severe impact on her, and despite persistent efforts to return them, she was never compensated, see Oud Holland 131, pp. 151-178.