//=time() ?>
𝗖𝗼𝗻𝘃𝗲𝗿𝘀𝗮𝘁𝗶𝗼𝗻𝘀 | 𝗦𝗞𝗔𝗪𝗘𝗡𝗡𝗔𝗧𝗜 & 𝗟𝗔𝗧𝗨𝗥𝗕𝗢 𝗔𝗩𝗘𝗗𝗢𝗡
People have been imagining and developing virtual worlds with digital tools since the 1980s.
But even as the technology needed to render and explore these worlds has https://t.co/q60LLqbOqQ… https://t.co/foBcCwNJPe
Thinking about AMA Diver this morning 🤿🌊
✨ GM Outlanders, Happy Monday.
@JamesJeanArt https://t.co/F3gt4LjH5x
"But more and more, since NFTs arrived, I can do what I want. I can talk about digital and physical sculpture interchangeably without having to explain as much. And it is no longer weird to art people that I want money for my digital work, too."
- @auriea
More Context⤵️
𝗡𝗲𝘄𝘀 | 𝗛𝗢𝗧 𝗧𝗢𝗣𝗜𝗖𝗦
What a year it’s been, Outlanders! Our very first, in fact 👶
As we wind down for the holidays, @gtschwarz reflects on the stories that made headlines this year.
Did we miss anything? What are your 2022 highlights?
🗞: https://t.co/oLMeUyOj3k
𝗦𝘂𝗻𝗱𝗮𝘆 𝗥𝗲𝗮𝗱𝗶𝗻𝗴 | 𝗦𝗔𝗥𝗔𝗛 𝗭𝗨𝗖𝗞𝗘𝗥 𝗘𝗗𝗜𝗧
This week @thesarahshow has been our first #OutlandGuestEditor!
Catch up on everything you might've missed, it's time for a Zucker mega-thread 🧵⤵️
🌈📺🎨
(1/5)
𝗖𝗿𝗶𝘁𝗶𝗰𝗶𝘀𝗺 | 𝗧𝗛𝗘 𝗚𝗥𝗘𝗘𝗡 𝗚𝗢𝗢 𝗔𝗥𝗧 𝗠𝗔𝗥𝗞𝗘𝗧
@artgobblers gamify creating & collecting digital art with mechanisms that reproduce the inequalities of the traditional art market. 📉
@claracxw writes on the cult NFT phenomenon ~
🗞: https://t.co/egTPyZTTxd
𝗖𝗿𝗶𝘁𝗶𝗰𝗶𝘀𝗺 | 𝗦𝗖𝗨𝗟𝗣𝗧𝗨𝗥𝗔𝗟 𝗔𝗟𝗖𝗛𝗘𝗠𝗬
@auriea’s classically inspired works, which are transferred from physical to virtual states and back, reveal the fundamental mutability of sculpture.
@MaggieGrayTweet ponders Harvey’s solo Gray Matter at @FeralFile.
🔗⤵️