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NOW SHOWING

After exhibiting at & , Basil Beattie is opening a new show at today.

He will also judge our competition https://t.co/F0LCgPL4YW

🖼️ "Cause & Effect", 1980

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returns to with 'Earthlings’, his third solo exhibition at the gallery.

'Earthlings' will run from 30 Jan - 16 Feb at Jealous East, 53 Curtain Road, EC2A 3PT.

The exhibition Private View will be on 30 January, 6.30-8.30pm.

https://t.co/mfkkUv8tbK

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Today as well as Monday, free workshops and portfolio advice sessions are held for art students at during the .

Image: "Stand" by Philip Battley from

For more info: https://t.co/0VD7LlHM0C

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Spring term at the School is just around the corner!

Find out what 10-week drawing, painting, printmaking and sculpture courses are on offer, starting 20th January: https://t.co/rZmf8vyUZr

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Why is watercolour such a popular medium?

"It’s the transparency and beautiful pigments that get people hooked. The fact that minimal equipment is required is another key factor" says blog by for

https://t.co/8yKqHZeKlb

Image: Claudia Araceli

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Are you an emerging artist or designer looking to showcase and market your work? has partnered with online gallery Your Art Gallery, who make it easy for a range of different art buyers to purchase art. Find out how you can benefit here: https://t.co/SL8UIs1oGB

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Are you an emerging artist or designer looking to showcase and market your work? has partnered with online gallery Your Art Gallery, who make it easy for a range of different art buyers to purchase art. Find out how you can benefit here: https://t.co/SL8UIs1oGB

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THE WESTMORLAND LANDSCAPE PRIZE:

Deadline today, 5pm

*Seeking work inspired by the UK landscape
*Accepting work in any medium
*First Prize of £10,000
*Enter online: https://t.co/iaoSKh4LYT

'Documenting, celebrating and interrogating our relationship with the landscape.'

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'Watercolour is at its best when you allow it some freedom to do what it wants to do naturally; it's at its very worst when forced to behave. Harnessing watercolour is about learning and understanding how to walk a fine line between both.' https://t.co/tIj4a6VHk7

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'He taught us about how Monet painted paths in his pictures so that our eyes would walk into his paintings...about how the shadows in Bonnard were built up with different colours. It blew our minds.' on Chantal Joffe and ahead of a new show .

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