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a cacophonous, multi-layered digital collage that grew & changed over time: Screenfull (2004-2005) https://t.co/KWYrH2qMcv #NetArtAnthology
"The story of the internet as a boundless, non-linear space..." @yael_kanarek's World of Awe in #NetArtAnthology: https://t.co/MeTBCDijoZ
Data trash, net art, & cyberfeminism: explore @csollfrank's 'Female Extension' (1997) in #NetArtAnthology. https://t.co/Ai731TYudh
These are Strange Days on Planet Earth. First Look: Artists' VR is out now, for Android and iOS: https://t.co/TbPaqsLXxm
This week on #NetArtAnthology: Antoni Muntadas' The File Room (1994) https://t.co/6LZfimeaGT
Nominate an artist for the third annual $10,000 Prix Net Art prize: https://t.co/p5a03BJqij (Pic: @newrafael)
.@AliceHattrick reviews an online exhibition in the form of a tarot deck: https://t.co/co9ynwHCoR
The 2016 primary saw the birth of a new archetype: the Meme Candidate. https://t.co/wxPBcCa2yj
New in Rhizome reviews, Laura McLean-Ferris explores The Wrong Biennale's second iteration https://t.co/Ur5JGvwYFU