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For Hanne Ørstavik, novel-writing is a quest for the actual, not a proof of our mastery over it. On her spare and chillingly imagined novel LOVE via @archipelagobks https://t.co/Ji2hU9d6DU [new On The Seawall]
Hanne Ørstavik’s spare novel LOVE embodies the notion that the search for clarity & connection must proceed through the full awareness of what constrains us. Via @archipelagobks https://t.co/Ji2hU9d6DU
My #FridayReads fiction = LOVE by Hanne Ørstavik via @archipelagobks [my review to appear later today On The Seawall]
Her work reminds me that a basic urgency of poetry is the attempt to put ourselves into an accord with the mystery of the actual: on Lisa Russ Spaar's essential OREXIA via @PerseaBooks https://t.co/nBVBlpVK82
Lisa Russ Spaar has arrived at a sonic mode that, as Louise Bogan would say, is the last resort. On her poems in OREXIA & why they were essential to me in 2017 https://t.co/nBVBlpVK82 via @PerseaBooks
My piece on JAMES WRIGHT: A LIFE IN POETRY by Jonathan Blunk https://t.co/oPCNqHWojw @fsgbooks JW wrote, "A great poet is a disturbance"
on JAMES WRIGHT: A LIFE IN POETRY by Jonathan Blunk @fsgbooks a nuanced, cogent & often harrowing portrait https://t.co/oPCNqHWojw
My #FridayReads nonfiction = JAMES WRIGHT: A LIFE IN POETRY by Jonathan Blunk via @fsgbooks
Snide bit by @SheilaYM in @NewYorker about https://t.co/Sm14S9KkTf https://t.co/8nlRaVZfRh says more re: author than the good work at Loom