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Sarah Jaffray 🍂さんのイラストまとめ


Art historian C19/20 | drawing, paper & prints | philosophy & process | cinema | choses français | head of art history @citylit | she/her | views mine✌
linktr.ee/sarah_________j

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On this 200th anniversary of Napoleon's death let us give pause & contemplation to the elegant af uniforms he made his soldiers wear. Velvet trousers? Red lined cape matching under-armour, different polishes of metal - the fashion detail!

Géricault, Wounded Cuirassier, 1814

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Working on French Revolution, getting mesmerised by the variety of marks & subtle volumes created in this Vigée Le Brun drawing (det.) of Marie Antoinette in theatrical dress The artist used stumping to diffuse the ruffled dress sleeve & tree leaves in the background.

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Late night work, fully immersed in 18th c Venice & my fave GB Tiepolo drawing (c.1760). The wash is so perfectly controlled, the ink marks are both blurred and precise. It is both silly and beautiful.

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This morning's content Ida Applebroog & her series 'Mercy Hospital' (1969-70): 5 notebooks filled with from the artist's time in psychiatric care. Applebroog shares this work as a way to demystify illness & empower exploration of inner realities through making.

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Been a bit fashion obsessed lately. Today building a lecture on propaganda of absolute monarchy & Louis XIV (age 14) declaring himself the sun in a 13-hr long, overnight ballet (Le ballet de la nuit, 1653) seems to be a good example. Louis's costumes by Henri de Gissey.

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Käthe Kollwitz, Bread! (1924), lithograph. Part of the print portfolio entitled 'Starvation' made to raise money for Workers International Relief, an organisation created 'neutralise the agitation caused by international capitalism'.

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Me trying to sleep in January 2021.

Also, me attempting a meme.

(perhaps better know as Meret Oppenheim's Portrait de femme, les yeux, 1965, ink on paper)

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Unabashed love for this record, which (she says in a dorky muso voice) is what it is because it is mostly a collaboration with Luther Vandross. And I want to steal those bangles.

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And this hand is a treatise on painting.

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Today, I build a lecture on Baroque art, materiality & process with a dash of art market.

Details from engravings by Jan Harmensz. Muller (after P.P. Rubens) of Archduchess Isabella (of Spanish Netherlands), 1615.

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