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Art historian C19/20 | drawing, paper & prints | philosophy & process | cinema | choses français | head of art history @citylit | she/her | views mine✌
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And this hand is a treatise on painting.

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Today, I build a lecture on Baroque art, materiality & process with a dash of art market.

Details from engravings by Jan Harmensz. Muller (after P.P. Rubens) of Archduchess Isabella (of Spanish Netherlands), 1615.

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I'm giving a workshop for on artistic experimentation in drawing and exploration of Ithell Colquhoun is a must.

Untitled, 1941, example of superautomatism (image one is entire drawing, others details)

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Demon ferryman of the River Styx give me strength with my emails today.

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Giovanni Battista Tiepolo's Immaculate Conception (1767-69). The fabric textures, the colours, the absolutely sinister angel (maybe Gabriel?) eyeing Satan and, of course, disembodied cherubs. What more do you want from Catholic propaganda?

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Angelica Kauffman, etching from 1770. So many different marks!

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Need something to fill your Saturday mornings?

My online short course on Michelangelo starts 3rd of October at 10:30. We separate man from myth by looking at the philosophies & processes that shaped his art. https://t.co/3PF3kbUUXc

(Pic: sketch for Sistine Chapel)

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This has got me curious. Maybe these magazine illustrations for McCall’s and the Saturday Evening Post give us some idea of the lush colours Neysa’s Stehli silks had? https://t.co/WIJuc9xABv

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Textile & print speak to one another. This photo of embroidered curtain from Frances's design for fellow designer Fritz Waerndorfer shows how the threaded lines of embroidery echo lines printed on paper, both sculpturally rise from the surface.

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Kauffman’s small (32x24cm) oil on metal painting ‘Fame Decorating Shakespeare’s Tomb’ also proved a popular inspiration for needle painting. This 1782 etching and stippling by Bartolozzi disseminated the image widely.

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