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Art historian C19/20 | drawing, paper & prints | philosophy & process | cinema | choses français | head of art history @citylit | she/her | views mine✌
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Been a bit fashion obsessed lately. Today building a lecture on propaganda of absolute monarchy & Louis XIV (age 14) declaring himself the sun in a 13-hr long, overnight ballet (Le ballet de la nuit, 1653) seems to be a good example. Louis's costumes by Henri de Gissey.

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Käthe Kollwitz, Bread! (1924), lithograph. Part of the print portfolio entitled 'Starvation' made to raise money for Workers International Relief, an organisation created 'neutralise the agitation caused by international capitalism'.

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Me trying to sleep in January 2021.

Also, me attempting a meme.

(perhaps better know as Meret Oppenheim's Portrait de femme, les yeux, 1965, ink on paper)

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And this hand is a treatise on painting.

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Today, I build a lecture on Baroque art, materiality & process with a dash of art market.

Details from engravings by Jan Harmensz. Muller (after P.P. Rubens) of Archduchess Isabella (of Spanish Netherlands), 1615.

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I'm giving a workshop for on artistic experimentation in drawing and exploration of Ithell Colquhoun is a must.

Untitled, 1941, example of superautomatism (image one is entire drawing, others details)

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Demon ferryman of the River Styx give me strength with my emails today.

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Giovanni Battista Tiepolo's Immaculate Conception (1767-69). The fabric textures, the colours, the absolutely sinister angel (maybe Gabriel?) eyeing Satan and, of course, disembodied cherubs. What more do you want from Catholic propaganda?

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Angelica Kauffman, etching from 1770. So many different marks!

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Need something to fill your Saturday mornings?

My online short course on Michelangelo starts 3rd of October at 10:30. We separate man from myth by looking at the philosophies & processes that shaped his art. https://t.co/3PF3kbUUXc

(Pic: sketch for Sistine Chapel)

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