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I first sketched these out a couple years back and just decided to ink/color it last night, but it's fun to look back at the reference-study-stylization process:
I designed a chitzy floral version of the @camposanto skull for... reasons, last year (which we didn't end up using), BUT we got to re-purpose it for the company holiday card🌹💀🌹
this comes into play in early filmmaking, where filmmakers are using green/blue makeup on their actors to make them look even vaguely normal on-screen, as well as carbon-arc lights (since incandescent light hardly shows up on orthochromatic film):