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the Fourdrinier April issue is out now, with a review of the major exhibition of new work, Barbara Walker: Vanishing Point at Cristea Roberts Gallery, London till 23 April 2022
@CogleB @CristeaRoberts @thefourdrinier @Paper_Gallery_ #VanishingPoint #BarbaraWalker #embossing
With work by Hurvin Anderson, Alvaro Barrington, Sir Frank Bowling, Lubaina Himid, Claudette Johnson & Yinka Shonibare, the 2021 School Prints are part of a project to support the teaching of Black histories in schools.
@Natalieviolet https://t.co/tKor3HVVwe @HepworthGallery
'As the coloured edges of the portrait fade away, the woman in the centre seems to sink from us. Is she sick of the sight of herself? In defiance of being read, her expression gives very little away.'
@TheGregling on Gillian Wearing's lockdown portraits https://t.co/RRhpzp1DjU
From the archive:
We dip back into @TheGregling's review of 'Cut and Paste' @NatGalleriesSco last year – 'the first survey exhibition of collage ever to take place anywhere in the world', spanning over 400 years.
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'I think the internet and the media have commodified identity and made it into something we feel a need to acquire and trade upon.'
Artist Susannah Douglas discusses the ideas behind her practice.
https://t.co/ZrJL75n3ys
We're looking forward to the launch of @jennycsteele's new commission, 'Our Library of Light', this afternoon at Crosby Library.
Read @Natalieviolet's article on the history behind the piece here: https://t.co/DySWc9zFXq @OurHumanLib
Featuring work by leading artists including Sonia Boyce, Jane Bustin, George Shaw, Leo Fitzmaurice & Simon English; check out @anna_gracie's review of this year's Drawing Biennial 2019 @drawingroomldn
https://t.co/nduQ97Xw7U
Featuring work by leading artists including Sonia Boyce, Jane Bustin, George Shaw, Leo Fitzmaurice & Simon English; check out @anna_gracie's review of this year's Drawing Biennial 2019 @drawingroomldn
https://t.co/nduQ97Xw7U