//=time() ?>
Why did it take the Hayward Gallery 17 years to have a group exhibition on contemporary art from the African diaspora?
‘In the Black Fantastic,’ which closed yesterday, could have enabled the institution to boost its finances, suggests Pauline de Souza.
https://t.co/1SbV3Zgumc
The view that the West is sole heir to the Greco-Roman classical tradition has been a favoured trope of Euro-American Fascist projects. But a show at @WhitworthArt aims to recontextualise the contributions of Black & Brown people.
@nieboer_lucas reviews:
https://t.co/LjYmNGkgpx