Tim Soretさんのイラストまとめ

Even objects like the Voight-Kampff lie detector from Blade Runner became cult.

Hence why his designs translated so well to the big screen. Here, the famous Blade Runner spinner, as envisioned by Mead, and as built on set.

He was not only an artistic genius capable of perfectly rendering his imagination, but he was also an industrial designer, grounding his art into reality.

Syd Mead thrived on complexity.
Every piece of his work is masterclass of perspective, detailed shape language, complex lighting & difficult reflective surfaces.

Reviewing many concept artists portfolios lately.

Honestly, it would be nice to see more originality in style, color, framing. I regret this standardization of art. The best concept artists usually get their inspiration elsewhere than their peers on Artstation.

How do we get the best of both worlds?
We want the pixel art sharpness of point filtering (left) AND
we want the movement smoothness of bilinear filtering (right).

Concept art of the upcoming Ghibli theme park 😍

A lot of the warmth in The Last Night comes from vegetation.

I'm fascinated to see how plants find a way through our concrete cities, breaking the geometric lines, bringing some unpredictability & poetic chaos to the boring human order.

Artists, have a look.
This explains so much.