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♫ [ANTI GLITCH]: “Wolf Boy” emerges from the depths of Slough https://t.co/VOWZz0IwiT
Mukqs tries his best to keep us upright with new album "起き上がり" on @DoomTripRecords https://t.co/4yCIhfp4jz
♫ [WHERE YOU]: Yo-Yo Bingo (@FOURLUNG) locates listeners at ‘65° 46′ 52″ N 169° 03′ 25″ W / 65° 45′ 15″ N 168° 55′ 15″ W’ https://t.co/EqYz2kezK2
Essay: "Traditional Music of A Wrecked Species: Dredging new instruments out of bad technology"
Nick Scavo explores technological breakdown & authorship through artists like Rashad Becker, Kara-Lis Covedale, Quantum Natives, Yves Tumor, Klein & M.E.S.H.
https://t.co/2vw0A4PPK5
♫ @yvestumor shares "obsession edit" of @ryuichisakamoto's "Zure" from async https://t.co/LYPndJaRs7
♫ PREMIERE: Jan Julius creates woozy, ectoplasmic future-trap post-pop on "ENDLONE" https://t.co/Sy4ckRStFr
EUREKA!: @woopheadclrms offers a bizarre, hyper-detailed playground on new LP for Japanese label @UkiukiAtama https://t.co/A9LRuVbdEk
EUREKA!: Giant Claw's "Soft Channel" is Rankin's most ambitious work (@orangemilkrecs / @keithrankin0_0) https://t.co/Rc9XBfwuER
EUREKA!: Nmesh's "Pharma" is a phantasm, graphic simulation, and node to the body (@nmeshofficial @orangemilkrecs) https://t.co/obTnyHL4NM
Konrad Sprenger's new album for @PAN_hq gets a #EUREKA review from @_SCVSCV https://t.co/ssxfQP9Tgd