Typographicaさんのイラストまとめ

Just noticed in MS&J’s 1896 anniversary book what may be the earliest depiction in @Lett_Arc’s collection of a Black employee in the typefounding biz. (Of course, he’s doing one of the more dangerous jobs, pouring molten metal on an electrotype shell.) https://t.co/KQ30AS7Cv6

@typeoff Seen this Midolle book? I got to spend some rare pandemic time at @Lett_Arc yesterday and thought of you. It came in since your article for us.

Merrill C. Berman (who has perhaps the most complete privately owned collection of graphic design) just posted an online gallery: Black Self-Empowerment: From The Crisis to the Black Panthers, 1920s–1990s
https://t.co/OjteN3JAuk

“Have you ever tried to domesticate a wild typeface? Christian Vargas has & the result is magnificent. I can’t deny my admiration for those who leave behind…anything that seems to be a safe path in the type industry.” @tullida on Salvaje #typefacesof2018 https://t.co/ANJZ8Kz4Px

New on Typographica: “Latin Letters, Made in Armenia.” @NaimaBenAyed and @de_franceschi_ report on multiscript type workshops in a place where combining writing systems is more than novelty — it’s necessity. https://t.co/YQ4skNEwxJ

A glut of 3D layer fonts out there. @JamieClarkeType’s https://t.co/3Xyin9jCdS seems one of the better crafted w/ a unique halftone shade.

Blesk https://t.co/XUGf1sFEke, a dazzling chromatic typeface inspired in part by Hans Tisdall lettering of the ’40s.

Closer look at the illies @laureola drew for my #ATypI talk: https://t.co/25qVw80TpG They surely lightened the load.

“@PhilipBattin: Norway just revealed their new passports. http://t.co/vA5HzObcmQ” Work like this restores my faith in institutional design.