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Wallace Polsom, "Ask Me No Questions CXXVIII" (2023), paper collage, 19.1 x 23.3 cm | https://t.co/nl8oV1jhrV #papercollage #collage #collageart #art #artistsontwitter #contemporaryart #askmenoquestions #surrealart #arthistory #deformation #defamiliarization
Victor Brauner (1903-1966): 1) “Courteous Passivity” (1929-35), 2) “The Last Trio” (1937), 3) “The Palladist” (1943), and 4) “The Encounter of 2 bis rue Perrel” (1946).
Hit-Girl Season 2 #5-8 (2019) — “Hong Kong,” Parts 1-4 — with cover/interior art by Goran Parlov.
Sha, vols. 1-3 (Soleil, 2012), written by Pat Mills with art by Olivier Ledroit. Front covers plus one of the back covers, which apparently were the same on every volume.
Orpheus and Eurydice by 1) Jean-Baptiste Camille Corot (1796-1875), 2) Gaetano Gandolfi (1734-1802), 3) George Frederic Watts (1817-1904), and 4) Michel Martin Drolling (1786-1851).
Here's the Boris painting that I held up earlier in this thread as an example of good work from him, converted to greyscale. Lovely control of values here.
As I've said in an earlier thread, Corben does not over-render his figures. The intense colour is deceptive. The light areas in his paintings are typically more subdued than one might think. Convert the new cover to greyscale, and subtle modelling of the forms becomes obvious.
Pyrate Queen #1-2, with cover art by Adam Pollina and colourist Tamra Bonvillain.