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Rembrandt Harmensz. van Rijn, Portrait of a Man, c. 1652 https://t.co/4gS2be8GqE #rembrandtharmenszvanrijn
9/11は #コロモトの聖母 の祝日です✨
1652/9/8グアナーレで聖母がコロモト(現地人の長)に御出現
森を出てカトリック宣教師団に会うよう勧めます。コロモトが聖母に矢を射ると姿が消え御絵を残します
長以外の全部族が受洗。長も毒蛇に噛まれ受洗を決意
1950年ピオ十二世承認。ベネズエラの守護者
John Milton was nearly 60 when he published Paradise Lost (1667). Blind since 1652, he wrote his epic poem entirely via dictation & also while he was often ill with gout, & grieving the early death of his 2nd wife, & the loss of an infant daughter. #WyrdWednesday
#MuseumLadies
Cheng Hongshou (1598–1652), a famed figure painter, centers a lady leaning on an incense cage in this painting. He lights up the pictorial space with deliberate objects in bright colors, such as an ocean-blue carpet and a green parrot.
明 陈洪绶 斜倚薰笼图轴
Just me and my woman #1652 ⚡️⚡️⚡️
@worldofwomennft #nft #WorldOfWomen #pfp #WoWNFT
For painters of grizzled old men, though, no one compares to Ribera (1591-1652), a Spaniard who worked in Italy.
11 août 1652 : mort du peintre flamand Andries van Eertvelt. Il fut l'un des premiers à consacrer toutes ses créations aux marines.
1652/Until it is done
#gamedev #writing #videogames #games #AfterShock #BioShock #art #scifiart #scifi #everyday
The story thus far:
https://t.co/AywknqY2FL
AfterShock Series Summary:
https://t.co/MUIhk60Oaw
@agustin_gut @AlessandraCicc6 @ValerioLivia @CaterinaCategio @adiprincipe @javiango @famartinez2001 @dianadep1 @1Atsuhimerose2 @GerardLDonadoni @GerberArancio @PrestiDaniela @maype7 @marialves53 @xaloc7 @Rebeka80721106 @scastaldi9 @neblaruz @ampomata Graçias Agustín and #ArteYArt friends
Jusepe de Ribera 🎨 1591-1652
Woman #1652. 🔥⚡️ Found and loved. Also new avatar. @worldofwomennft
https://t.co/uHHIzmJ2GZ
私実はトーンのY-1651、Y-1652大好きマンなんですけど…
こういう部分にあいつらを貼るの好きで…私の苦手な重量感もなんとなく出してくれるし…
確か1652が60Lじゃなくてモアレんのだけちょっと嫌だったな…
トーン処理しながらやつらが恋しくなりました
Rembrandt van Rijn, Christ Preaching (“La Petite Tombe”), c.1652 https://t.co/MHbGOeygkf #slam #museumarchive
10x14 inch Photo Puzzle with 252 pieces.. XIR158293 The Annunciation, before 1652 (oil on canvas) by Le Sueur, Eustache (1617-55); 297x227 cm; Louvre, Paris, France; French, out of copyright. angel, baroque, blessed, cherub, greeting, kneeling, la saluta… https://t.co/jzxniltZCu
Shafi' Abbasi, Black and White Bird Perched on a Shrub, 1651-1652 https://t.co/ifNCx98ceZ #clevelandartmuseum #islamicart
Jan Asselijn, View of the Arch of Constantine, seen from the Colosseum, 1635-1652 https://t.co/WYiH13lw1A #janasselijn
Leendert van der Cooghen, A Satyr and a Peasant Woman, after Jordaens, 1652 https://t.co/AO44Au99VM #leendertvandercooghen