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Carlo Dolci (1616-1686), Mary Magdalene, 1660-1670
oil on canvas
Galerie Palatine

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2/2 A woman's perspective: Fede Galizia paints the forbidden encounter in 1616, for Mary Magdalene's feast day.

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2/2 Back when she was a bad girl: Dance of Mary Magdalene by Lucas van Leyden, 1519. In the midground she's hunting. At least she had some fun before all the penitence! Today is her feast day.

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Happy feast of St Mary Magdalene! This, by Savoldo, is my favourite in the collection. Like here, her ‘true’ face may be shrouded in the shadows, but she still shines in that Easter morning glow.

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Celebrating the feast of Mary Magdalene today with a painting. She was the person Jesus appeared to, she was trusted with the good news - she was a disciple, a friend, a woman of God

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Magdalene's Reflection https://t.co/juKEnG44VB
'...We'd sought the streets, the hills and vales
to find our soul's desire
the bridegroom who would stake True Love
no thought of Holy Fire...'
Feast of

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Magdalene new design! She is a secretary bird

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A quick drawing >w< Magdalene and little C.H.A.D :33



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Rescuing Jesus looked impossible, but Mary Magdalene suggested they could at least be with him as his friends, among all enemies surrounding him.

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Mary Magdalene proclaimed they should not have vengeful thought to others, yet her speech led the frogs to some misunderstanding.

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The woman who was a servant to the High Priest was shocked that he had called the Emperor as their king. But Mary Magdalene defended his decision to prevent the war, through which the Empire could beat their country utterly.

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The women were going to beg the High Priest for the life of Jesus. Mary Magdalene knew that the Empire governor could not do anything without the High Priest's acceptance.

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Latte brought Mary Magdalene, Zebedee's wife(the mother of James&John) and Mary the mother of Joseph.

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Raffaello Schiaminossi, The Elevation of the Magdalene, 1612 https://t.co/HLAvfSOeKO

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Amongst artists The Magdalene inspired fascination as an image of an outsider. Here’s Reni’s images of the former prostitute seeking spiritual enlightenment from the 1630s. They reflect an artist apparently struggling with the church’s teachings on sexuality

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