'The Advance Guard' ~ Georges Bertin Scott.

This watercolour shows two soldiers on horses trotting along a country road. Behind the soldiers are green fields as far as the horizon. A storm is brewing in the background with dark grey clouds stretching across the sky.

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Preview de U.S. Agent par Christopher Priest, Georges Jeanty (), Karl Story et Matt Milla chez https://t.co/CtNde8ALRH

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The Fortune-Teller (1635)
by Georges de la Tour
Style: Tenebrism

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HENRI-GEORGES CLOUZOT'S INFERNO: In 1964, France's answer to Hitchcock, Clouzot died 3 weeks into the making of the ambitious, inventive thriller Inferno. This doc presents the tantalising footage that remains, including camera tests that will truly hypnotise

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Can you name any of the ingredients used in George's Marvelous Medicine?

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Georges de la Tour
Magdalene with the Night-light or The Penitent Magdalene

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10 ans que la ville de Montpellier est orpheline ✍🏻

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"Myrane" et "Les Chapons" (Program for Théâtre Libre), Georges Auriol, 1889 https://t.co/bjB0PxPAq0

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“Monkey by Georges Seurat - 1884” https://t.co/A8Ngf75iPy

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Hello!
I am a science fiction and fantasy illustrator. I've worked on tabletop games in the past and I'm looking to do art full-time.

⭐ devongeorgestudios.com
https://t.co/HAQuQeEMaE
https://t.co/NNsGoW5W9A

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©Georges Oudot, peintre et sculpteur, meurt le 13 octobre 2004 à l'âge de 76 ans. De multiples prix lui ont été décernés et on peut retrouver ses œuvres dans de nombreux musées en France et dans le monde, notamment celui d’Art moderne de la Ville de Paris.

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One of my favourite early-modern paintings (Fencing Match between St.-Georges and ‘La Chevalière D’Eon’ on April 9, 1787 by Charles Jean Robineau) and me, dressed as d'Eon was in this painting https://t.co/fbya37vCSZ

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A new portfolio today from Georges Villa, his 1938 illustrations for Pierre Louÿs' 'Aphrodite', the most explicit for this popular work. His skilful use of colour lithography creates a lively sense of imagined classical sexual revelries. See them all at https://t.co/6gFq0N9rdm.

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A new portfolio today from Georges Villa, his 1938 illustrations for Pierre Louÿs' 'Aphrodite', the most explicit for this popular work. His skilful use of colour lithography creates a lively sense of imagined classical sexual revelries. See them all at https://t.co/6gFq0N9rdm.

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