nature journal.

Once airfield and railway yard, today this natural reserve in the east of is characterized by an incredible about 380 flowering pants and 1,300 insects - many of these on the 'red list' of species in Germany.

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‘Damiel’ … as played by Bruno Ganz in Wim Wenders’ ‘Wings Of Desire’ … (The Heaven/Sky Over Berlin) … probs the best film about the human condition i’ve ever seen …

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Here are some random characters I never posted here. This was actually seen here in 👀

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: a cold war map showing the Wall as a bricked-up barrier and barbed wire surrounding West Published in 1963. Verso of map in comments https://t.co/E144aFGLuM

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3 Black Cats
by Guilherme Maueler (motion designer, and illustrator,

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Unheroes Stories is here!
https://t.co/o9eExcUDEP

This is a story about a woman in a man's world.
«She was ordinary office plankton until that fateful day...»

Exclusively on

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Este bellísimo mosaico romano nos ilustra con una lucha entre un centauro y varios felinos que han matado a su compañera y su hijo. La pieza, datada en el S. II d. C, fue encontrada en Villa Adriana (Tivoli, y en la actualidad se custodia en el Altes Museum (#Berlin)

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Good morning and Beyond!

Rainy days are there to slow down and enjoy the sound of the raindrops. And when the evening comes, to watch the street lights turn into illuminated bursts of watercolours.

(photo own)

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Corona-Skizzen 338: Ein Stockenten-Erpel (Stock-Erpel?) im Britzer Garten, Berlin. Aquarell 18x26cm
!B

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- Selbstportrait, 1926.

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Because why not show more if they are all so wonderful?

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Adolph von Menzel (until 1898 without "von"), who died 1905 in is mostly known for his large, historical paintings. But just one look at his studies shows you what an exceptionally gifted artist this only 140cm tall man, "Seine kleine Excellenz", was.

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"#Berlin Houses in the Snow", an 1847 painting by Adolph von brilliant 19thC GER painter most famous for his historical works. This picture is most likely the view from Menzel's own flat at the time. He lived in Ritterstr. 43 in today's

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(43×32cm) ok.1467


Wyraz obrazu jest szczególnie ludzki podkreślony brakiem boskich atrybutów.
Kolory są zredukowane, a światło jest wyraźne, szczególnie w niektórych szczegółach.

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