The saddest part of Rogue's transformation is the reality that the monster's words could have just as easily been said by the reformed terrorist just two dozen issues ago, but the comparison between the her and the Wraiths is growing tired.

Thankfully, *drumroll please*...

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...Rogue reappears midway through our Dire Wraith fraught intermission to exact what government girl boss Val Cooper assumes must be revenge.

In reality, Rogue is on a fact-finding mission to locate the lost Ororo.

Much like her encounter with Selene, Rogue's experience with...

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Realizing that Gyrich's blast has seemingly deprived her of her Carol-obtained strength and invulnerability, Rogue's awareness of further threat to Ororo's ability and the responsibility erasure of those abilities would place on her as their custodian leads the girl to unleash...

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...has always been a theme central to Rogue's character, but Ororo's distinction that to take a mutant's (or anyone's) identity without their consent is an inherently violent act is an important one given the issue's context, and only one I recognized returning to the Run...

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...of her mutant abilities to her new friend.

The candidness between the women almost boils over into a fight, before Ororo–acting in a comfortable capacity as mother figure–recognizes that nearly all of Rogue's experiences with her powers have been acts of violence. Consent...

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Selene's power is at this point seemingly unmatchable; her psychic vampirism even counteracting Rogue's own life-force draining touch.

The experience leaves Rogue shaken–is this what *her* mutant touch feels like–setting up her flight to Mississippi in the book's next issue...

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i also love rogue's, monet's and jubilee's outfits

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Part of me thinks making her the premier hero of chicago, her hometown, would be the answer. Moving her to Chicago and allowing her to develop her own Rogue's gallery and supporting cast feels kind of brilliant. Very new 52 Harley. Jimmy and Amanda moved Harley to New York

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I JUST FEEL THE NEED TO BRING UP THE BATMAN AND IT'S CHARACTER DESIGN BECAUSE IT IS SUCH A DAMN COOL TAKE ON THE CLASSIC ROGUE'S GALLERY.

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'El entierro precipitado' (1854) del pintor belga Antoine Wiertz (1806-1865) inspira la última aportación de a la Rogue's Gallery del diario

➕#humor al /
➡️➡️https://t.co/847yqhxbku

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Me at the rogue's gallery trying to find out who asked

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Animation for Advocate of God, Degrogue✨

Much like Zouglas, Degrogue's intimidating motions were created to represent a cruel and inhuman being. Her spear thrusts are swift and deadly. Check them out!

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Based on rogue's twt 🔽🔽🔽
[my brain's nagging me ok 😂😂😂]

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thinking ab rogue's hair undone

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while "I" isn't, even though it being pronounced as [aɪ] is so common, Rogue's monopthong "Ah" can stand in for her accent.

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This is my warriors ocAgni. She was born blind in a group of Rogue's where only her adoptive mother Stream didn't want her dead. Her brother was power hungry and her friend manipulative.

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La vuelta del 'Monarch of the Glen' de Landseer a la Rogue's Gallery de es una oportuna ocasión para recordar una singular versión caprina con protagonista 🇪🇸 de E.H. Shepard 3/5/1944

➕#humor al /
➡️➡️https://t.co/zSHpLigTop

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I'm starting to make Discord emojis for Ryuu-Rogue's server! https://t.co/SZK3qDfZoS Say hello to the first arrival, Chikayaya! Sorry not sorry they might all be Savers

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