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@MKLANCER00 @Phantom1Snake Look when she said she always knew there would be another I'm pretty sure she meant there would be another lombax.
May 12, 1933: Paramount Pictures' "Supernatural" is released. The film boasts the distinction of being Carole Lombard's only "horror" film.
"Isn't she beautiful?"
"Yes, but repulsive... like a female spider that kills her mate..." 🕷️🕸️🎨
https://t.co/fzKqJuHpQd
made this a few days ago 🥺✨
hope you all like ❤️
#RatchetPS5 #ratchetandclank #lombax #canonxoc #fanart #ArtistOnTwitter
Didn't post these before! The two Lombax Penny art I drew for SnapCube plus concept doodles I did of the clothes.
Submission for lomba UKM wkskwks moga" aja joss :"D ini sketsa-finishing dari tadi pagi sampe sekarang ngebut wksnwjdbwj
#zonakaryaid #musik #ocdrawing #artidn #artistontwittter
The last wonders from @apod
#Science
#Space
1-Star Clusters M35 and NGC 2158
Credit & Copyright: J.-C. Cuillandre (CFHT) & G. A. Anselmi (Coelum)
https://t.co/si8JUVP5o9
2-Horsehead and Orion Nebulas
Credit & Copyright: R. Colombari & F. Pelliccia
https://t.co/hEbBU3s6Sq
@apod Horsehead and Orion Nebulas
Image Credit & Copyright: Roberto Colombari & Federico Pelliccia
➡️ https://t.co/DiaR56cn0e
i love to see ppls lombax ocs so much it motivated me to doodle mine some more!!! im trying different looks for them but ugguhggu i cant think of what kind of color scheme i want to chase...
junaposting (gelombang kedua) https://t.co/uuFyVYgu8L
I drew these a few weeks ago and just...never posted them apparently 🙃 I’m not entirely happy with Stella but I quite like how Zyon turned out.
#lombax #lombaxOC #OC #RatchetAndClank
Adult Gear? Why not? It's just a fast-paced design. It's not official... maybe?? 🤔
#lombaxoc #Gearazimuth #Lunaazimuth
Lovely portrait of Carole Lombard on the cover of Brazilian film magazine, CINEARTE, 1930. Uncredited, but possibly by Fred Moulin and based on a Pathé publicity shot by William E. Thomas, c 1929.
Lovely portrait of Carole Lombard on the cover of Brazilian film magazine, CINEARTE, 1930. Uncredited, but possibly by Fred Moulin and based on a Pathé publicity shot by William E. Thomas, c 1929.