two commissioned MASKS | completed

Solgods w/ its Giorgio de Chirico inspired art pfp, and the classical approach of Cultdao

interpreting them in my own minimal ultra futuristic style proved a challenge but I ♥️ it

for (solgods) & (cultdao) TQ!

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The Tarots of the Renaissance
Artwork by Giorgio Trevisan
小アルカナカードです。
各スートのエースです。

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The Tarots of the Renaissance
Artwork by Giorgio Trevisan
これはルネッサンス期の人々(剣闘士、メイド、婦人、職人、騎士、曲芸師、商人など)が描かれたタロットカードです。彼らは美しい衣装をまとい、古典的な肖像画のように描かれており、西欧の歴史ファンタジーや童話を思い起こさせます。

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One of the most iconic animals from the Triassic is the INCREDIBLY long necked, Tanystropheus. Found at Monte San Giorgio, one species captured its prey by ram-feeding.
https://t.co/KLU4TQ35OR

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Allegory of Patience, Giorgio Vasari, c. 1552.
[National Gallery, London].

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🎨Giorgio de Chirico

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Giorgio Ghisi, Panettelu syyttää Viattomuutta tietämättömän tuomarin edessä https://t.co/ApYwAHRvpW

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sent this to me some days ago as a gift. He comissioned a artist to draw Filia and Giorgio together, I had the dumbest smile on my face when I saw it for the first time.
Thanks man! 😄
(Link to the artist in case you're interested: https://t.co/47TcRXolIR)

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"Donald and the unusual remake" drawn by Giorgio Cavazzano, manages to combine the best of both designs in a hilarious comic story.

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My name is Giovanni Giorgio, but everybody calls me Giorgio

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Sacred & Profane Love (c1514) is a beautiful placid work. He had moved on from Giorgione’s influence in painting style but kept his mystery & magic. The Three Ages of Man (c1512) & the ‘Gypsy’ Madonna (c1511) carry the same mood.

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Titian worked with the enigmatic Giorgione in his early years & their works are hard to separate (especially as Titian painted in his master’s style at first). Le Concert Champetre (c1509) may be by both, but Christ & Adulteress (c1509) & Virgin & Child (c1510) are probably his

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Ok, say Giorgio Morandi, without quoting his name. There is an artist here, that makes the most extraordinary contemporary still lives, very pared down and flat. I wish I could remember his handle.

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Can’t split two!!! Even today I still listen to Phil Oakey / Giorgio Moroder’s “Together in Electric Dreams” and the Neverending Story theme by Limahl 👏🏻👏🏻👏🏻👍🏻👍🏻👍🏻

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Giorgio de Chirico, The Return of the Prodigal Son I (Il Ritorno del Figliol Prodigo I) from Metamorphosis, 1929 https://t.co/WJ1aUhgdob

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