Esta semana ha sido la semana de FF en las fotos de cosplay que he subido: Rinoa, Yuna y Aerith in a row 👌🏼

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Fanart of Aerith Gainsborough from Final Fantasy 7 Remake. Took me longer then i expected to do this (was sick for 3 days too and i spend a lot of time doing little details that no one will look at) Hope you like it.

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Post 4 FEMALE fictional characters who mean the world to you and tag 5 people to do the same.

Mine are:
1- Dr. Eleanor "Ellie" Arroway
2- Alita
3- Aerith Gainsborough
4- Claire Farron ”Lightning”





https://t.co/dvS05B7Yza

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Aerith Gainsborough - original design
🌺🌺🌺
Color sketches of my lovely brave Cetra from 💕

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I rarely have OC but when I do it's 7 years long love

Chevonne Gainsborough (neè Archard), Smasher, wife of Ansell, mother of three ✨

Last pic is her newest appearance 🤔 (cut her hair shorter)

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Best girl. Tryin to draw daily! Mostly unfinished stuff, but still tryin

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Holywells Park by Thomas Gainsborough 1748-1750
Oil on Canvas
(Ipswich Museum and Gallery)

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In his final years Gainsborough created some of the most elegant English portraits of the 18th C. His Morning Walk (1785), Mrs Sheridan (1785-6) & Duke of Kent (c1787) are supreme examples of an artist who understood beauty & human frailty

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As the artist matured his brushwork became more fluid & he used longer brushes which gave his work a sense of movement. His portraits of the Duchess of Beaufort (c1775), Mrs Graham (c1775) & of his nephew & assistant Gainsborough DuPont (c1775) are ravishing masterpieces

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Gainsborough’s first love was always landscape painting & he snook it into his portraits where he could. Peasants Returning from Market (1767-8) & the Harvest Wagon (1767). He continued to study & learn from Old Masters such as Rubens’ Descent from the Cross (1760s)

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Gainsborough’s greatest portraits from the 1750s are of his family. Miss Gainsborough Gleaning (1756-9), the Painter’s Daughters (1758) & the Artist’s Wife (c1758) attest to his growing maturity as a portraitist, as well as his love for his family

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By 1752 the Gainsboroughs were in Ipswich. Portraits & money troubles (driven by his love of the good life) were a theme. He sought to place his portraits in sylvan surrounds. The Gravenor Family (1752-4), John Plampin (1753-5) & the Lloyds (1755)

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In 1784 he used his position to ensure he was made painter to the King at the expense of his rival Gainsborough. Status was all to him. Francis Rawdon-Hastings (1789-90), Colonel Tarleton (1782), George Eliot (1787) & Francis Hare (1788-9)

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The artist had a circle of intellectual friends including Goldsmith, Fox, Johnson & Kauffman. This contrasts with Gainsborough’s many musical friends & fondness for the Demi-Monde. Ms Monckton (1777-8) & Mrs Abington (1771) demonstrate his depiction of women as sexual objects.

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