Naner slug, naner slug! OC doodle to stave away quarantine boredom.

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“Recently, Carol saved Roosevelt Island from a sexist maniac, helped stave off a multi-realm war, stopped a fledgling super villain from destroying NYC, and pretended to kill the Avengers to stop a mutated madman from bombing refugee camps.”

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The notes aren’t even on a stave... it probably does suck

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some character traits I LOVE 😍
but, if you have only one of them, while i find the rest uninteresting, you can't be my favourite 😓

i.e, I love staves 💪
but if your personality is sterile, one-dimensional, unbearable or you have recently been poorly written, I can't do much 😒

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Venus Captive, Gustave Boulanger

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Christ Leaving the Court (1867-72) by Gustave Doré (France, 1832–1883). Strasbourg Museum of Modern and Contemporary Art. This is a massive painting of 20 x 30 ft (6 x 9m) and shows Christ leaving his trial.

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Chatting over a game of Magic, I mentioned to Brandon that I've always wanted to illustrate an epic saga in the tradition of Gustave Dore, with highly detailed woodcut-style scenes in ink. I was floored and thrilled with his reply: "Then let's do that!" https://t.co/rvYkINPR7F

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More old studies for the Andalusian castle in LitV. Studied stave churches. It's still a dream of mine to visit one. Even the replicas in the northern US, I'd love to see those. And ofc a moody Christian.

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i'm not afraid.
there's nowhere i've ever felt safer.

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Illustrations from 'The Raven' by Edgar Allan Poe. the artist is Gustave Doré (1832-1883). “Leave my loneliness unbroken!—quit the bust above my door!”

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Gustave "Mountain River" (1864 c)

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Quand je serai mort, il faudra qu'on dise de moi : celui-là n'a jamais appartenu à aucune école, à aucune église, à aucune institution, à aucune académie, surtout à aucun régime, si ce n'est le régime de la liberté.” Gustave

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90s grunge Anders was stuck in my head so i had to let him out. doodle? sketch? whatever this is:

staves n roses shirt

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[STAVETALE] [5/7]

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Gustave Doré, variations sur Paolo & Francesca. Lavis d'encre de Chine et gouache blanche, sur papier teinté brun, 387 x 292 mm. , lithographie et illustration du livre. Version peinte (T. 279, 4 x 194,3cm, coll. part.).

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