I will be applying my ‘wilful head’ (self-portrait) ideology to push forward into 2020 along side some mighty and inspirational people 🌈🙏🏻💜🏴󠁧󠁢󠁷󠁬󠁳󠁿 (may even do more)

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The first edition of The Tale of was published privately on 16th Dec 1901, when had 250 copies printed for her family & friends. Sir Arthur Conan Doyle was given a copy for his children. Some below.

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People just can’t help saying good things about The Seas!
With the likes of Ian Miller, legendary fantasy artist
UK greats like
pip_odyssey
International artists vacuum books, MisterZinester https://t.co/rxFy9gHoPc

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In 1953 Morris Louis visited the studio of Helen Frankenthaler, where he saw Mountains and Sea (1952), the first painting made with her signature “soak-stain” technique.

(Then he became famous/successful for riffing on it)

Thanks, for the shout out to https://t.co/f6PnScdh36

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Art Herstory is privileged to publish a guest post from of : Ten Intriguing Novels About Remarkable https://t.co/8OSth1ljHn.

Read these books yourself, &/or order them for the art-lovers/feminists on your holiday shopping list!

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Flowers, Fruit & Insects, c. 1670, (#MariaVanOosterwyck, Dutch, 1630–1693). Held at Palatine Gallery in Palazzo Pitti; source, https://t.co/xtjsUxQ7AI

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Still Life of Peaches, Jasmine, & a Spray of Hyacinth in a Metal Fruit Stand, with Tulips & Hazelnuts …, s.d., by (Italian, 1578-c.1630). Private collection, photo; source, https://t.co/GKp2SVo3Zz

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Miriam Schapiro
"I wanted to validate the traditional activities of women, to connect myself with the unknown women artists who made quilts, who had done the invisible 'woman's work' of civilization. I wanted to acknowledge them, to honor them."

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Branch of a Redcurrant, 1670-1715, by (Dutch, c. 1661/2-1730), who was buried (Dec 5). (Dutch, c. 1661/2-1730). Held at the , https://t.co/mCsvFpC5zy

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Today I want to share one of my last discoveries: born Theodora Orsola, was an Italian manierist painter, the daughter of the painter Guglielmo Caccia.
Painting: Fruit still life with a partridge, before 1676.

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