The Conversion of Saint Paul, 1621-33, Schelte Adamsz. Bolswert after Peter Paul Rubens, Engraving in black on cream laid paper

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Santa Ana: Da Vinci, Rubens, Caravaggio, Luisa Roldan

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a décidé de clore la saison par une vente couvrant plusieurs domaines artistiques. Derrière les grands noms (Rubens, Saraceni, Guerchin, Brueghel, Van Dyck..), on remarque quelques intéressants anonymes dont ce portrait bourguignon de l'ancienne collection Walpole

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명화 참조 검사니 연성 3 (재업)

1: Carolus-Duran, <Le Baiser>(1868) 참조
2: 月岡芳年, <宮路山の月 師長>(1892 이전) 참조
3: Jean-Antoine Watteau, <La gamme d'amour>(1717) 참조
4: Peter Paul Rubens, <Perseus and Andromeda>(ca.1622) 참조

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...un viaggio esilarante che Gadda e Ungà (Ungaretti) fecero nel 1953,con il poeta che,al Prado,non permette all'altro di guardare in santa pace Rubens e lo trascina via dicendo «È barrocco!È barrocco» arrotando le erre come era suo vezzo
S.Petrignani

P.P.Rubens, Museo del Prado

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Briseida devuelta a Aquiles por Nestor -
- Peter Paul Rubens, pintor neerlandés - --

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Peter Paul Rubens, “Hunt of the Calydonian Boar" (c.1611-12) In a scene from Metamorphosis of Ovid, warrior-prince Meleager delivers fatal thrust to wild beast with vigor that alludes to Rubens’ wielding of brush in intense Baroque style.
https://t.co/tdemnLpokw

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Happy Birthday to influential Flemish Baroque master, artist, and diplomat, Sir Peter Paul Rubens, (June 28, 1577 – May 30, 1640) https://t.co/0LfCgqb9ci

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'R' is for Rubens, the master of rippling flesh. spoke at length about this painting for a National Gallery podcast several years ago. You can listen to her thoughts at the end here: https://t.co/3djCyAqvFh

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This week discusses a great painting: The Consequences of War, by Peter Paul Rubens, which holds a powerful message: amongst the chaos, we are offered the antidote to war, love is our only savior.

Read the newest article here: https://t.co/IVDudJMDAb

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This week on Canvas we discuss a great The Consequences of War, by Peter Paul Rubens, which holds a powerful message: amongst the chaos, we are offered the antidote to war, love is our only savior.

Read the newest article here: https://t.co/RkLgVXFTxe

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Nessa pintura de Peter Paul Rubens, vemos representada a batalha entre o santo e o dragão. Depois de acertar a cabeça da fera, Jorge se prepara para dar um golpe de espada, montado em seu cavalo. Ao fundo, vemos a donzela com um cordeiro, símbolo do sacrifício.

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명화 참조 검사니 연성 2 (재업)

1: Peter Paul Rubens, <Mars and Rhea Silvia>(c.1620)
2: François-Hubert Drouais, <Family Portrait>(1756)
3: 月岡芳年, <藤原秀郷龍宮城蜈蚣射るの図>(1890)
4: Francesco Hayez, <Il bacio>(1859)

에서 각기 구도를 참조했습니다

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Hippopotamus and Crocodile Hunt
Peter Paul Rubens, 1616

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Peter Paul Rubens,
“The Entombment” (c.1614)

After his return to Antwerp, Rubens painted this version of the burial of body of the crucified Christ. Rubens emphasized the closeness of those sharing in this task of devotion.

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