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Entomologist Adolfo P. Mabilde lamented the lack of a published book on the insects of the Rio Grande. So he decided to publish one himself. Explore "Guia practica para os principiantes colleccionadores de Insectos" (1896) in #BHLib via @NHM_Library ➡️ https://t.co/bcoRRSRmlQ
Aurel Băeșu (1896-1928) was a Romanian Impressionist landscape.
Elles: Woman at the Tub, Henri de Toulouse-Lautrec, 1896 https://t.co/T7MpZLc63y #museumarchive #cmaopenaccess
アルフォンス・ミュシャ『ジョブ』1896年 ミュシャ財団
京都府京都文化博物館にて「みんなのミュシャ ミュシャからマンガへ ー 線の魔術」開催中です。
2019年10月12日(土)~2020年1月13日(月)
(札幌、名古屋、静岡、松本への巡回予定有)
Late #Victorian photograph of the seaside town of #Redcar. ‘By 1896 the number of visitors arriving by train to the East Coast resorts had risen substantially with 850.277 collected at #Scarborough with Redcar in second place at 385.813’ #Yorkshire #seaside
Luis Ricardo Falero de Candelarese, duque de Labranzano (Granada, 1851 - Londres, 1896) un fiera!! ❤️🧹🔥
Recomendación de cuentos para leer a la luz de la vela. 🕯⛰🐕
Villa Lucienne de Ella D’Arcy (1896)
#elladarcy #watercolorpainting
Witold Pruszkowski (Polish, 1846 - 1896): Przywidzenie'(Illusions), 1895.
"Melancholy Man and Mermaid (Encounter on the Beach)" (1896). A recurring motif in Munch’s life and art is the sea, both the coastal settings and the many fjords of the Norwegian landscape. But also the sea as inhuman and other worldly.
Argonauta or paper nautilus shells (egg sacs secreted by cephalopod females) were known as fairy boats in the Isle of Man. They were said to race across Lough Gur on moonlit nights.
Amelia Jane Murray’s ‘A Fairy Resting on a Shell’ (1800–1896) depicts such a scene. 🐚✨
@scastaldi9 @claudioborlotto @Hakflak @NadiaZanelli1 @BrindusaB1 @semicvet50 @bmarczewska @ars_omnis @javiango @lagatta4739 @anthony77631293 @BPerrionni @LunaLeso @Spiros209 @albertopetro2 @monica74761144 @EnricoCastrovil @ceconomou56 @cecilia_fava @MaurilioVitto @maluisa_3 @dianadep1 @Clanlupi @agustin_gut @1Atsuhimerose2 @JaoreroR @Papryka5 @Xv4jdAJMm8iQbQJ @henrirouen @mariaireneali @Choco_Sandy1 @barrywyman2356 @BaroneZaza70 @RosamariaNoia @Biagio960 @Tramanera @erminiopasquat1 @migliaccio31 @licprospero @Rebeka80721106 @smarucci461 @MargoWa21483274 @VicoLudovico @redne2013 @piotr408 @sergey_silkin @arteyart @AmparoDelMoral1 Frederic Leighton (1830-1896) was a British painter, draughtsman and sculptor. His works depicted historical, biblical, and classical subject matter.
Winding the Skein (1878)
🏛️Art Gallery of New South Wales, The Domain, Sydney, Australia
💫#ArteYArt #Academicism
Woman Combing Her Hair, 1896 #toulouselautrec #postimpressionism
See how Glasgow has changed over the years with our map exhibition on Level 7 of the library. These map extracts show St. Enoch’s Square in 1778, 1864, 1896, and 2019. The exhibition is available Mon-Fri, 9am – 5pm. #UofGLibrary #UofG #GlasgowHistory #GlasgowMaps
This week, we’re taking a look at George Alfred Henty’s novel At Agincourt: a Tale of the White Hoods of Paris, published in 1896 by Charles Scribner’s Sons. This edition has 12 illustrations by British illustrator Walter Paget. Learn more here: https://t.co/42ZS4ADGaB
秋分の日、彼岸の中日です。お供え物のおはぎ。春には、牡丹にちなみ「ぼたもち」、秋には萩にちなみ「おはぎ」と季節によってその呼び名が変わります。
こちらは、三重出身の日本画家 宇田荻邨(1896-1980)の十二ヶ月短冊より「月に萩」と「牡丹」です。
#秋草