Transverse section of an ostrich fern!
🔎250x(objective lens magnification)
🔬Brightfield
📷Anatoly Mikhaltsov

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War, huh.. What is it good for?

Thanks to Dee Cunniffe for this gorgeous colour for the War Doctor. That sweet John Carpenter 70mm anamorphic lens flare is just perfect. The whole scene seems baked and dry... like John Hurt, himself.

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Teller about to break the camera lens.

Changed out the bg from my icon just to give it a wee bit of life. Also just wanted the python to be a bit more visible??

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“...Does it look bad?”

~My OC Siobhán has different colored eyes because the left lens of her glamour glasses bursts during a deadly river rapids ride, staining it blue and ultimately giving her super Faery vision in that pupil. Ouch.

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Here is an uncropped frame straight out of camera with some basic adjustments. This is at the closest focusing distance that the kit lens affords, and at 47MP I have plenty of room to crop in and make a more cohesive composition. :)

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In project ‘Life Through a Lens’ BAME students have been taking photos to represent uni life. See their work and join the conversation https://t.co/B9ljvychX1

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So kind of like the comprised animated-self-portrait I had previously posted I did one again but of myself seeing through the lens of Black. Sad thing is I really didn’t have to shift my skin tone all that much. I’m naturally levels of pale.

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Playing around with Parker's eyes, making the pupil/lens highly reflective rather than opaque, so sometimes it will be bright, but other times not.

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Seeing our world differently... through the lens.

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messing with lens flares

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Artist John Falter captures a lively scene outside the museum for this cover of the Saturday Evening Post, 1960.

While offering a southern perspective of Michigan Avenue, Falter still captures the iconic Tribune Tower to the north in the reflection of the cameraman’s lens.

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Presenting the characters of through artist 's unique lens.

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Man, I just got the art back on the concluding chapter of LENS. Working on my first ongoing narrative has been fun. Thanks to for believing in it and i.e. my partner in crime comics. The KS launches tomorrow and I hope you’ll join us.

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Bernard Lens.1682-1740. Male Academy.1716. Red chalk on laid paper.

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