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#FrescoFriday - One of my favourite panels from Pompeii: the rather splendid fresco from the House of Jason (IX.5.18), showing the myth of Europa and the Bull. Those colours! #Mythology #Art
Image: National Archaeological Museum, Naples (111475). Link - https://t.co/d7s3NqWrKD
Starting from Middle School, definitely @PrinceCanary(13-16), @KaySD999(15-18), JoJo's(14-16), and dominantly Arcane(18-19) :)) https://t.co/wPnpsF5Nvp
@aquamariart Oh, nice idea!
Here’s my first digital art (2018),
First NFT (2021),
And last NFT (2022)
29/12 : Yume Oukoku to Nemureru 100-nin no Ouji-sama (2018), adaptation inédite en France d'un jeu pour smartphone édité par GCREST. Venue de la Terre, une jeune fille doit réveiller tous les princes du monde des rêves pour sauver ce royaume menacé.
https://t.co/3WqQRKuGL8
Today's macro of the day is Alice/The Book of Truth from Bibliomania (2016-2018), created by Orval and designed by Macchiro!
(A submission by @AtomicSfm!)
#Macro #SizeTwitter
Cima da Conegliano, soprannome di Giovanni Battista Cima ( 1459 – 1518), è stato un pittore italiano,National Museum Cardiff
25/12 : Yarichin☆Bitch Club (2018), adaptation d'un manga BL publié dans le magazine Rutile de l'éditeur Gentosha. Un titre romantique, humoristique, explicite... à l'image de l'ending en fait. En France, le manga est sorti chez Taïfu, l'anime est inédit.
https://t.co/bZ5tjhMGYO
Merry Christmas!
- Chu Hwei Sin (Chinese, b. 1918), Christmas Flower (Merry X-Mas), 1980, ink on paper mounted on fabric, 17 1/2 x 26 7/8 in., gift of Victor T. Chen, IR2007.31.12.
As he grew older studies of his children figure larger & are completed with great tenderness. Girl Reading (1918), Summer Evening (1918), Hay Stacks (1919) & Spring Shore (1920)
I just received a gift from Anonymous via Throne Gifts: XIRON [2 PACK] Paperfeel Screen Protector Compatible with iPad Pro 12.9 (2022&2021&2020&2018), XIRON High Touch Sensitivity No Glare Scratch for iPad Pro 12. Thank you! https://t.co/APsI6XYWyB #Wishlist #Throne
His approach was both full of humour & pathos. His enjoyment of a mismatched pair is as powerful as his depiction of a desperate prisoner of war. Couple (1919), From the Weimar Park (1918), Leda & the Swan (1917) & Prisoner (1918)