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Love how she's got a tattoo of the logo from the official Batman manga by Jiro Kuwata (creator of 8 Man!) which was published in Shonen King from 1966-67
Aaah I forgot to announce the latest #webcomic update.
Which is not okay, because it has the best Nocturne-Panel!!!
Read it here Collision 66-67.
Main (DE): https://t.co/uhGMPUNP0l
Tapas: https://t.co/ItPHwXprz7
Webtoons: https://t.co/GQMTPfJWmL
Los elementos faltantes del AU de mafia, porque Butters siempre es parte del equipo y Craig solo está ahí por la diversión.
Dibujos 66-67 de 365
797 de 10,000 horas
#Butters #LeopoldStoch #Craig #CraigTucker
#williammitchell a huge influence to public art in the 60s and 70s. His Grade II listed totems known as 'minute men' arrived at @SalfordUni in 66-67, for students, staff and public to enjoy - "I want [visitors] to talk about them, laugh at them, even grumble at them.." https://t.co/2S9fHRV78U
a4589c66-6735-474c-a52c-7eb4b530c2fd #generative #art #procedural #creativecoding
Tonight's @Arsenal retro programme cover is based on the 1966-67 game against @CardiffCityFC which was played in aid of the Aberfan Disaster.
That programme is available on our website.
#Arsenal100
#ARSCAR
https://t.co/BvOdqvCwwC
In the meantime, Jutriša continued to animate for others. In 1966-67 he animated the great Nedeljko Dragić's first two films of note, TAMER OF WILD HORSES (which Mimica returned to write and supervise) and DIOGENES PERHAPS (which I tweeted about almost a month ago).
Update :: Chapter 2 - Page 66-67
https://t.co/JVWzVn9Owb
https://t.co/kRp5vSTKw7
Frédéric Bazille's large unfinished 'The Little Gardener', c.1866-67 @MFAH, allowing to see his work in progress. For you, @paulperr1