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@FriendArt_ @Titas37 @claudioborlotto @marialves53 @albertopetro2 @martinis2018 Edouard Manet
Con “Colazione sull’erba” Manet si rifà ad opere italiane del XVI secolo come Giorgione e Marcantonio Raimondi
Christ in Glory with Two Saints, Marcantonio Bassetti, first third 17th century https://t.co/G5suRLxzjS #cmadrawings #clevelandartmuseum
Christ in Glory with Two Saints, Marcantonio Bassetti, first third 17th century https://t.co/G5suRLxzjS #clevelandart #museumarchive
The Emperor Trajan, Marcantonio Raimondi https://t.co/OIYdThq6Db #clevelandartmuseum #clevelandart
One thing to keep in mind about 14th-17th c. Venetian History. Loads of people called Barbaro and Barbarigo. Some even intersecting in timewise i.e Agostino Barbarigo Venetian commander at Lepanto (L) with Marcantonio Barbaro, bailo at Constantinople (R). #nameparonyms #History
Ivanmarcantonio è ancora lì, chiuso dentro casa.
Riuscirà il narratore a convincerlo a uscire?
Continua su: https://t.co/nPFx4mO4tz
@CasaScrittori
#virusinfame #fumetto #fumettoitaliano #strisciacomica #webcomic #vignetta #comics #fumettodivertente #ridere
Your Daily Altar of Eros
School of Marcantonio Raimondi, 16th Century
Ivanmarcantonio è tornato. Questa volta uscirà di #casa?
Continua su:https://t.co/6sySJcZxhg
@CasaScrittori
#virusinfame #coronavirus #vignette #fumettoitaliano #fumettidivertenti #fumetti #fumetto #comic #comics #disegno #webcomics #vignetta #divertente #umorismo #humor #fase2
@ritamay1 @AlessandraCicc6 @albertopetro2 @neblaruz @marialves53 @agustin_gut @scastaldi9 @CristianeGLima @Rebeka80721106 @alleosa @lissablu68 @ValerioLivia @CaterinaCategio @bmarczewska @angela3nipoti1 @monica74761144 @NadiaZanelli1 @1Atsuhimerose2 @famartinez2001 @dianadep1 @maype7 @BPerrionni @Papryka5 @monicasloves @MOCarballeira @ceconomou56 @albert_cunill @eoff_sylvia @FriendArt_ @Messe11 @MaxPriviero @smarucci461 @paoloigna1 @erminiopasquat1 @licprospero @BrindusaB1 @tizianacampodon @GiuseppeTurrisi @BaroneZaza70 Marcantonio Raimondi (c. 1470– c. 1534) was an Italian engraver.Crouching Venus after Raphael
@djolavarrieta @ceconomou56 @dianadep1 @marmelyr @1Atsuhimerose2 @angelicadisogno @ampomata @LuciaTassan @Spiros209 @BrindusaB1 @scastaldi9 @bmarczewska @lissablu68 @neblaruz @monica74761144 @alleosa @agustin_gut @CristianeGLima @bgv_online @claudioborlotto @maluisa_3 @BPerrionni @ritamay1 @Rebeka80721106 @BaroneZaza70 @CaterinaCategio @famartinez2001 @kamabi @Make_u2_happy @BrownGJ2 Marcantonio Raimondi (c. 1470– c. 1534) was an Italian engraver.after Raffaello Sanzio da Urbino (March 28 or April 6, 1483 – April 6, 1520 known as Raphael ) was an Italian painter and architect .Lucretia's suicide
#Iorestoacasa
Ricordiamo la passione e la crocifissione di #Cristo con il dipinto “Cristo morto adorato dai Dogi Pietro Lando e Marcantonio Trevisan” di #JacopoTintoretto e aiuti (1590). L’artista veneziano aveva una sensibilità particolare per il tema della morte di #Gesù.
Block-printed paper, on a copy of Francescantonio Zaccaria, "Storia polemica del celibato sacro" (Rome, 1774).
Massacre of the Innocents without the Fir Tree, Marcantonio Raimondi, ca. 1513-15 https://t.co/2WiX42Kjd6 #clevelandartmuseum #museumarchive
Christ in Glory with Two Saints, Marcantonio Bassetti, first third 17th century https://t.co/G5suRLxzjS #clevelandartmuseum #museumarchive
The second room includes prints by his earliest and most skilled interpreters: Marcantonio Raimondi, Agostino Veneziano, Marco Dente, and Ugo da Carpi. #Raphael500
[Ugo da Carpi after Raphael, "David Slaying Goliath," c. 1520, chiaroscuro woodcut]
Raphael was the first artist to exploit the possibilities of printmaking to circulate his compositions, enhance his reputation, and generate income. #Raphael500
[Marcantonio Raimondi after Raphael, "The Massacre of the Innocents," c. 1511, engraving]
Una shipp poco usual y quizás fea a la vista de algunos ojos, pero a esos les digo, con todo respeto, lo siento pero se joden xd
Yo amo a este par 💕
#YoKaiWatch #Rebelcebú #Cantonio #Gurerurin #Jinmenken #FanArt #Draw #Dibujo
Buongiorno dal Marcantonio Flaminio..Vittorio Veneto.Verrà restaurato con un Fondo Europeo
Eduard Manet's iconic & much imitated "Le Déjeuner sur l'herbe" (1862) took it's original composition from 3 figures (detail bottom right) in Marcantonio Raimondi, “The Judgment of Paris” (1510–20) Pic 4. The irony was that putting modern people in classical poses caused offence.