Christ in Glory with Two Saints, Marcantonio Bassetti, first third 17th century https://t.co/G5suRLxzjS

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Ugh cannot BELIEVE that Manet took all the praise for an art piece he didn't even create. Ahem, credit to the inspiration, 💛 Marcantonio Raimondi (after a drawing by Raphael) 💛

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Christ in Glory with Two Saints, Marcantonio Bassetti, first third 17th century https://t.co/G5suRLxzjS

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One thing to keep in mind about 14th-17th c. Venetian History. Loads of people called Barbaro and Barbarigo. Some even intersecting in timewise i.e Agostino Barbarigo Venetian commander at Lepanto (L) with Marcantonio Barbaro, bailo at Constantinople (R).

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Ivanmarcantonio è ancora lì, chiuso dentro casa.
Riuscirà il narratore a convincerlo a uscire?
Continua su: https://t.co/nPFx4mO4tz

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Your Daily Altar of Eros

School of Marcantonio Raimondi, 16th Century

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Ricordiamo la passione e la crocifissione di con il dipinto “Cristo morto adorato dai Dogi Pietro Lando e Marcantonio Trevisan” di e aiuti (1590). L’artista veneziano aveva una sensibilità particolare per il tema della morte di

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Christ in Glory with Two Saints, Marcantonio Bassetti, first third 17th century https://t.co/G5suRLxzjS

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The Victors of Lepanto (from left: Don Juan de Austria leading the Spanish fleet, Marcantonio Colonna leader of the Papal Fleet, Sebastiano Venier admiral) 2/2

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Una shipp poco usual y quizás fea a la vista de algunos ojos, pero a esos les digo, con todo respeto, lo siento pero se joden xd

Yo amo a este par 💕

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Eduard Manet's iconic & much imitated "Le Déjeuner sur l'herbe" (1862) took it's original composition from 3 figures (detail bottom right) in Marcantonio Raimondi, “The Judgment of Paris” (1510–20) Pic 4. The irony was that putting modern people in classical poses caused offence.

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Una prueba más de que en muchas ocasiones detrás de una gran pintura hay una gran estampa.
Marcantonio Raimondi. El juicio de Paris (detalle). Buril, h. 1510. The Metropolitan Museum of Art
Édouard Manet. Le Déjeuner sur l'Herbe (detalle). Óleo sobre lienzo, 1863. Musée d'Orsay

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Apollo on Parnassus, Marcantonio Raimondi, Cleveland Museum of Art https://t.co/eqR5YjsoQx (Palette: 🖌🎨

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It's
From our collection: Poetry, by Marcantonio Raimondi, features a winged personification of Poetry with her signature laurel wreath and lyre. This print highlights the Renaissance belief of a link between poetry and spiritual inspiration.

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"Qui vediamo un’opera interpretata con una verità, un’immediatezza dei pastori, che fa sentire che qui Caravaggio ha lasciato traccia", Marcantonio Bassetti, Adorazione dei pastori, c1625

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イタリアのデザイナーmarcantonioによる、あえての金継ぎアート。
https://t.co/Q9NH0K6RdR

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