Irish readers can see one of Van Dyck’s celebrated Genoese portraits, the Red Boy .
& a homoerotic male nude study, for one of his St Sebastians. Some of his finest works are at .
London including Charles I on Horseback (1637/8)

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The key component of a Van Dyck was effortless swagger. Such was his genius that the elaborate costumes & unlikely ringlets play second fiddle to the overall style of his work. Prince Tomaso (1634/5), James Stuart (1634-5), Henri II (1634) & Charles I & Henrietta Maria (1632)

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Van Dyck’s work lacks Ruben’s gymnastic dynamics but has a stately & elegant movement instead. Sir Robert Shirley (1622), Cardinal Bentivoglio (1623), Portrait of a Noblewoman (c1623) & Marchesa Elena Grimaldi (c1623)

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Van Dyck went to Italy (1621-7) where he was based in Genoa. Self-Portrait (1621), Agostino Pallavicini (c1621), St Martin Dividing his Cloak (c1621) & Lady Shirley (1622). This period of his work was marked by a rich colour scheme of red & black in his portraits

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9.12.Anthony van Dyck ( 22 March 1599 – 9 December 1641) was a Dutch painter-Fuga in Egitto.Απόδραση στην Αίγυπτο

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de 1641 murió en Londres el pintor flamenco Anton van Dyck, destacado retratista que llegó a ser pintor del rey Carlos I de Inglaterra. Formado en Italia y posteriormente con Rubens, su estilo es muy colorista y destaca por su refinamiento y elegancia

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🎄Advent Art - 9⃣December🎄
On this day 1641, Anthony van Dyck died.
His equestrian portrait was to be purposefully placed at the end of a long gallery in St. James Palace (red dot).
To those approaching through two doorways, it would seem as if the king was riding to meet them!

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I mean, I understand. It's Laranora Dyck after all. (NOBODY LAUGH AT THEIR FAMILY NAME)

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Anthony van Dyck
Portrait of Anna Wake (b. 1605 - d. before 1669)
1628

(Mauritshuis, The Hague)

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Peter Van Dyck (b. 1978) Living Room, Guest Room

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knows how to increase the value of his wallet 😎. He just added this girly dyck lover to his collection!

Bought at 34 he probably knows this will be worth more in months! 🤷‍♂️

->GJOE by

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Attributed to Abraham van Dyck
1635 or 1636-1672
Woman Seated, Holding a Book

(The Morgan)

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The 1770s were a period of intense genius for the artist. He sought to place the sitters in Van Dyck swagger, integrate them into a landscape & include dogs (if he could). Here is his lovely portrait of his wife & one of Ms Duncombe as well as Pomeranian Dogs

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There are a number of dramatic Flemish works including some showstoppers by Van Dyck. Rubens’ (1635-8) The Feast of Herod & Van Dyck’s St Sebastian (c1620) & The Lomellini Family (1626-7). Van Dyck returned to the homoerotic Sebastian regularly

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[今日の絵] Anthony van Dyck : 14歳の自画像1613
ヴァン・ダイク1599~1641はフランドルの画家、イギリスで宮廷画家としても活躍、21歳の自画像は自分を上品な貴族のように描いたが、この絵もいかにも上流階級の少年だ、若くして卓越した技量をもち画家として自立、ルーベンスの筆頭助手も務めた

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