Today announced the 2021 Youth Media Award winners—the top books for children and young adults. We're hyped to have some already in our collection, including winner We Are Water Protectors and novels from winner 📚🏅

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Bonsoir, mon Amie 🌹🌠🌛
Magnifique ! 😀❤
Bonne soirée Margareta💋

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In an exclusive new poem and essay reflects on the passing of time and how to create lasting art in a rapidly changing world. ⁣

Thanks as always to and the Guardian team⁣
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Monstertober Day 2! Confused Blue Margareta Slime.
Yes, pls.

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"Don’t sit down in the middle of the woods. If you’re lost in the plot or blocked, retrace your steps to where you went wrong. Then take the other road. And/or change the person. Change the tense. Change the opening page."

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Born in 1621: Swiss engraver and portrait painter (1621-87)

Portrait of Anna Margareta Wrangel (1622-73), ca. 1650

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Tulip and a Fly

Detail of "A Vase of Flowers", 1716

Margareta Haverman (1693 – 1722)
.

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ho scelto tre testi. Il racconto dell'ancella So perché l'uccello in gabbia canta Una stanza tutta per sé
E i vostri libri?https://t.co/oNqUBkq8qQ

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Tulip.
Detail of "A Vase of Flowers". Margareta Haverman (Breda, 1693 – Paris, 1722 or later. Signed and dated (lower right): Margareta Haverman fecit. / A 1716.

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Grapes.
Detail of "A Vase of Flowers". Margareta Haverman (Breda, 1693 – Paris, 1722 or later. Signed and dated (lower right): Margareta Haverman fecit. / A 1716.

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Taking a break from our regularly scheduled programming as I had to get this out of my system after bingeing recently. I've been in awe of the beautifully dimensional antagonists. And in terror of them as well.

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Portfolio: „City Branding“ von Margareta Scherbowitz → https://t.co/xZzYklPRgX

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"Nolite te Bastardes carborundorum"

June - The Handmais's Tale by Margaret Atwood

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Sul in anteprima un estratto dal libro 📚
di in uscita il per
L'autrice dell'attesissimo seguito del "Racconto dell'ancella" sarà al di
a

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"A Vase of Flowers,1716" w/audio
https://t.co/SuyzdP2rqF
"Margareta Haverman..Oil on wood..79.4 x 60.3 cm..hardly any women artists had access to nude models..number..became still life specialists..she used innovative pigments..organic yellow..faded..blue appearance of..leaves"

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