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"Are you sure about doing this? ้he love this chain so much"
"Don't be afraid, He will not wake until morning"
R.E.D. Story :: 3 R.E.D. babies trying to steal Yoshida because Yoshida is the best uncle to prank
#DragonGate #DGFanart #DrawingWrestling
- The art of Final Fantasy Tactics: The War of the Lions by Akihiko Yoshida (2007) -
#ファイナルファンタジータクティクス #SquareEnix
Dibujo de Haru Yoshida para Haru. Muchas gracias por haber participado en la rifa, espero te guste!✨
@JoCat105 Hi! Not sure if you’ve found someone, but I’d love to be considered! I don’t have Akihito Yoshida’s exact style per se, but have experience experimenting with styles! (1st-2nd pics come from a request/experiment to imitate Manet’s Raven illusts/Yoshitaka Amano respectively.)
Machikado Mazoku, Yuuko Yoshida 1/7 scale Swimsuit ver. figure announced. Figure to be released in July 2020 for ¥12,500. #コトブキヤ #Kotobukiya
La portada de la Premium Kiss 28 es para 'Kuro Bengoshi no Chijou Sekai de Ichiban Omoi Junai' de Sumi. Colaboran: Betti Taora, tsugumi, Nin Yoshida y Mai Haruno.
I love playing her
Diona from #GenshinImpact ♥
(in Akihiko Yoshida inspired style)
Do you believe if I say that this is also my drawing?
I used to write a lot of (unfinished) fantasy story. My drawing style and coloring style was heavily influenced by Akihiko Yoshida (Specifically by Tactics Ogre and FFT)
#artidn #zonakaryaid #ArtistsofSEA #oc #characterdesign
De paso artistas de juego que amo mucho:
Shoji meguro
Yoko shimomura (DIOSA)
Nobuo uematsu
Tetsuya Nomura
Shigenori Soejima
Yoshitaka Amano
Akihiko yoshida
Suzuhito Yasuda
Saki Yoshida from Metamorphosis [177013]
#177013 #sakiyoshida #metamorphosis #emergence
Just noticed this cameo of a younger Atsushi Maekawa in GX #17. He was one of the regular ep writers for DM, GX, Arc-V and Vrains.
Starting to wonder if there's a Yoshida cameo somewhere. 🤔
Key #artworks for #TacticsOgre 1995 and 2010, both by illustration master #AkihikoYoshida.
Of his style, Yoshida says it has never peaked and it's still evolving; nonetheless, it has instantly recognizable qualities rooted in early 20th century aestethics - see J.C. Leyendecker