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Lifedrawing (Z1052) #lifedrawing #figuredrawing #Ulf3mar20 #body #kroki #card #quickdrawing #drawings #worldofartists #procreate
gujo hachiman (oshiro project) by miyuki (pixiv28437652) https://t.co/MiT0Fh5Q5j
The Death of Richard II (1852) by Richard Dadd (UK, 1817-1886). Produced whilst Dadd was in a mental institution. #Victorian
thunderstruck9:
Francesco Clemente (Italian, b. 1952), Lovers, 2015. Watercolour on paper, 24 x 18 in https://t.co/YjGYFvwyPH
thunderstruck9:
Francesco Clemente (Italian, b. 1952), Funerale, 1982. Oil on canvas, 151.2 x 150.2 cm. https://t.co/lnWRPcuAkz
#今日は何の日
#クロスカントリーの日
1977(昭和52)年のこの日
原野・森林等にコースを設定して走る
競技・クロスカントリーの
統一ルールによる
初めての大会がイギリスで開催された
Though, if we're talking French Renaissance art, you may be more familiar with Jean Fouquet's 🎨Virgin and Child (1452). Madonna here looks royal and sensual, even futuristic. It is believed she was modeled after the beautiful Agnès Sorel, mistress of Charles VII. Oh mon Dieu!😱
So far we’ve spent £2700 ($3452) on commissioning freelance illustrators this year. ❤ #hireanillustrator #leadbyexample
Illustration © 2019 Pete Underhill
2月20日 続き②
第1回普通選挙。25歳以上男子にのみ選挙権が認められた(1928)
プロレタリア作家小林多喜二、築地署で虐殺される。(1933)
ナイロン・ストッキング、初売り出し。デュポン社が発売(1939)
ソ連が歯舞・色丹・国後・択捉の4島をソ連領に編入宣言(1946)
東大ポポロ事件(1952)
続く
“Tramp Space Ship” aka "Space Family Stone" (Boys Life, September-December 1952), by Robert Heinlein, illustrations by Reynold Brown.
A whirlwind romance, as depicted in an Old Hollywood classic montage sequence [no audio]: a cad (#BOTD Jack Palance) sweeps an unsuspecting heiress (Joan Crawford) off her feet, in SUDDEN FEAR (1952). #FilmNoir #FilmMontage #JackPalance #JoanCrawford #CharlesLang🎥#LeonBarsha🎞️
@Cassini_jon @ANNAMARIABIASI1 @BrindusaB1 @Spiros209 @bmarczewska @LuciaTassan @MaurilioVitto @marmelyr @CaterinaCategio @ampomata @scastaldi9 @agustin_gut @anne_camozzi @BPerrionni Good night dear Jon 😘🌹🌺
Joseph Zbukvic
(Croacia, b.1952)
His battle shows the Roman helmeted neoclassical artist fighting with the waistcoated Romantic/Naturalistic Artist. The Wrestlers (c1852), Battle of the (Art) Schools (1855), Don Quixote (c1855) & In Church (1855-7)
The pathos of Christ condemned stands in dramatic contrast with his image of a tyrant king leading by fear. Women running from Satyrs (1850), Ecce Homo (c1851), The King Continues to Reign with Order (1851) & Bathers (c1852)