画質 高画質

It's supposed to be red/orange. Older Julie dyes it blonde, but editorial has mandated that in this story which takes place when they're children it must be colored blonde as well.

It's the most nonsensical editorial direction I've ever seen.

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What are the benefits of animation for editorial clients?

Read our take in our new long-form article, featuring many illustrators and ADs - part of Editorial Season.

https://t.co/aFruXWoEoB

🌛by Nancy Liang

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My latest illustration for The Intrinsic Perspective. 'Why we stopped making Einsteins' essay by

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Inspired by my students who have shared many stories of their beautiful homeland but could not find many picture books set in Somalia

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Editorial project! Mine was on the controversy about the doping of the young Russian figure skater. One main illustration and then some spot illustrations

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“It’s GORE-TEX!”

An editorial project by Document Studios for SNS: https://t.co/PMge2zh3XI

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In honour of our launch of Inside Illustration, we created a NEW Curated Gallery celebrating Excellent editorial work ✅

We feature various talented members such as Travis L.C. & many more!

https://t.co/K8ti2TBOc6

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Queremos aprovechar para recordaros que a finales de este mes, la editorial lanzará su segundo BL, en este caso '¡Formemos una familia!', el título más aclamado de Tomo Kurahashi, una popular mangaka que todo lo que toca lo convierte en éxito.

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ICYMI, as a Hugo reminder,
is still a Semiprozine, &
& are eligible for Best Editor: Short Form & considered a single nomination, as they are an editorial unit. (If you liked the fiction, they edited it!) https://t.co/FR8FrLJNKw

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Illustration for Simons Foundation by .art about the science behind "Super Agers" Are certain people more genetically disposed for longer lives?

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Exciting NEWS 🌐

We're thrilled to announce 'Inside Illustration': a new suite of content where, each season, we'll explore different areas of illustration in depth.

We kickstart our Editorial Season with our NEW podcast, how-to guide, course & more!👇

https://t.co/aFruXWoEoB

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Dimarts, vinyeta.

Llapis i tinta: Paco Zarco.
Guió i color: jo mateix
Editor: (d’aquí a uns mesos)



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hoy 14 de marzo se cumplen 10 años desde que publiqué mi primer manga en las páginas de funlizard de mi hasta ahora editorial funcenter.
fanart conmemorativo de la portada de Slave Guy con el que debuté.

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No sabeu les ganes que tinc de saber que les editorials es barallin per la llicència. Tot i que he dir, que la qui em té el cor robat és la sèrie d'animació. 🥰

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[TRANS] Today, it’s someone who has continually improved himself despite suffering from various cancellations! On a different note, Meteor Attack has now been serialised!

Akaashi Keiji, who now works in Editorial Department of Weekly Shonen Vai (Japan).

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Nice to meet you, everyone! This is the 1st tweet in the world. We are the editorial team of JILL LAMM.
From now on, we will inform you about LAMM's arts and activities with the lovely friends. So stay tuned and keep in touch!

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