Oh hi there — I'm an artist on twitter doing TTRPG art! I'm currently working with a few publishers (including a bit of WotC stuff), and am always excited for more :D

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Our weekly big list of kid lit links is up (Nov. 11): https://t.co/yTAl4YfqYt Inside: 3rd person POV, grants for self-publishers, writing MG, more. Thanks for the illustration, Beverly Love Warren for the PB

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Well, why not right? I'm a comic book colourist with 18 years experience looking for my break into the mainstreams. Been sending my portfolio to all the big publishers but still waiting for that one magic reply...

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The Secret pool , discover a new world in nature..#picturebookillustration

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We encourage writers, visual artists and publishers to join the call for swift adoption of Bill C-11 so that fairness can be restored to our cultural ecosystem.

Please take a minute to add your voice. Just click 👉 https://t.co/uP0Lh5JzF7

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I feel "uncreative" applies to volume covers in general Ob there's excpetions but they follow a pattern that can be a lot repetitive like close shot, mid shot, full body char doing cool pose and repeat. In that sense the west publishers takes more care on covers

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Good question, our COSMOS Maxi-Series which not only tells a rousing cosmic story but features over 100 indie creators and publishers or the flagship TITAN THE ULTRA MAN who is a regular guy who is trying to be what the world needs most...a hero! Also, the gritty SOUTHSIDE book.

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Hi, I'm Francesco Iaquinta and i worked for some indie publishers, multi-award winner , actually I'm In two comic book serie coming soon next year from Source Point Press. This is my cover arts samples.

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Ghouls, demon slayers and socially anxious students: how conquered the world. They range from sci-fi epics to high-school romance and are selling faster than publishers can print them. But what has driven this new appetite for https://t.co/JMKArY7l6D

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