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Requiem II; oil on canvas; 48x36 inches; 2018... This painting is based on a digital artwork I sculpted the year before. Since 2005, I often made large scale paintings based on my digital artworks. I like to call it "virtual figurative art"...

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Requiem II; oil on canvas; 48x36 inches; 2018... This painting is based on a digital artwork I sculpted the year before. Since 2005, I often made large scale paintings based on my digital artworks. I like to call it "virtual figurative art"...

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Requiem II; oil on canvas; 48x36 inches; 2018... This painting is based on a digital artwork I sculpted the year before. Since 2005, I often made large scale paintings based on my digital artworks. I like to call it "virtual figurative art"...

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Requiem II; oil on canvas; 48x36 inches; 2018... This painting is based on a digital artwork I sculpted the year before. Since 2005, I often made large scale paintings based on my digital artworks. I like to call it "virtual figurative art"...

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Requiem II; oil on canvas; 48x36 inches; 2018... This painting is based on a digital artwork I sculpted the year before. Since 2005, I often made large scale paintings based on my digital artworks. I like to call it "virtual figurative art"...

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Requiem II; oil on canvas; 48x36 inches; 2018... This painting is based on a digital artwork I sculpted the year before. Since 2005, I often made large scale paintings based on my digital artworks. I like to call it "virtual figurative art"...

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Requiem II; oil on canvas; 48x36 inches; 2018... This painting is based on a digital artwork I sculpted the year before. Since 2005, I often made large scale paintings based on my digital artworks. I like to call it "virtual figurative art"...

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Requiem II; oil on canvas; 48x36 inches; 2018... This painting is based on a digital artwork I sculpted the year before. Since 2005, I often made large scale paintings based on my digital artworks. I like to call it "virtual figurative art"...

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Requiem II; oil on canvas; 48x36 inches; 2018... This painting is based on a digital artwork I sculpted the year before. Since 2005, I often made large scale paintings based on my digital artworks. I like to call it "virtual figurative art"...

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Requiem II; oil on canvas; 48x36 inches; 2018... This painting is based on a digital artwork I sculpted the year before. Since 2005, I often made large scale paintings based on my digital artworks. I like to call it "virtual figurative art"...

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Requiem II; oil on canvas; 48x36 inches; 2018... This painting is based on a digital artwork I sculpted the year before. Since 2005, I often made large scale paintings based on my digital artworks. I like to call it "virtual figurative art"...

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Requiem II; oil on canvas; 48x36 inches; 2018... This painting is based on a digital artwork I sculpted the year before. Since 2005, I often made large scale paintings based on my digital artworks. I like to call it "virtual figurative art"...

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Requiem II; oil on canvas; 48x36 inches; 2018... This painting is based on a digital artwork I sculpted the year before. Since 2005, I often made large scale paintings based on my digital artworks. I like to call it "virtual figurative art"...

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Requiem II; oil on canvas; 48x36 inches; 2018... This painting is based on a digital artwork I sculpted the year before. Since 2005, I often made large scale paintings based on my digital artworks. I like to call it "virtual figurative art"...

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Requiem II; oil on canvas; 48x36 inches; 2018... This painting is based on a digital artwork I sculpted the year before.
Since 2005, I often made large scale paintings based on my digital artworks. I like to call it "virtual figurative art"...

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Requiem II; oil on canvas; 48x36 inches; 2018... This painting is based on a digital artwork I sculpted the year before.
Since 2005, I often made large scale paintings based on my digital artworks. I like to call it "virtual figurative art"...

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It’s a human conversation that continues through us, and it’s our job to continue to make it beautiful, interesting, and dignified.”©Maria Kreyn

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Btw, when it comes to fiddle with the hazardous figurative/abstract formula, Erin Vest is a true alchemist… I mean…

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