‘A most beautiful creature with an air between dignity & sweetness with something that exceeded modest self-respect & partook of disdainful reserve’ the artist beyond the muse reviewed by https://t.co/xNZq3Ms8s7

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Destiny (1900) by John William Waterhouse (1849–1917). Towneley Hall Art Gallery.

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Destiny (1900) by John William Waterhouse (1849–1917). Towneley Hall Art Gallery.

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The Harp Player, study of Annie Miller (c. 1857) by Dante Gabriel Rossetti (England, 1828-1882).

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Two celebrated series of Pre-Raphaelite brought together in their entirety for the first time next fall! Read about the Burne-Jones retrospective at https://t.co/JW8AlqMYBS

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A depiction of Lizzie Siddal in the Entrance Hall. A renowned painter, patronised by John Ruskin; Siddal is thought to be responsible for another painting in the house depicting the figures of genesis.

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Demeter Mourning for Persephone (1906)

by Evelyn de Morgan (1855-2 May 1919)

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The Bower Meadow

Dante Gabriel Rossetti (1828–1882)



Art

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I am Half-Sick of Shadows, said the Lady of Shalott (1916) by John William Waterhouse (1849–1917). Art Gallery of Ontario.

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Alfresco Toilet at Capri [aka, At Capri] (1889) by John William Waterhouse (1849-1917). [Island of Capri, Italy] style.

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I am Half-Sick of Shadows, said the Lady of Shalott (1916) by John William Waterhouse (1849–1917). Art Gallery of Ontario.

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Alfresco Toilet at Capri [aka, At Capri] (1889) by John William Waterhouse (1849-1917). style.

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Sleep and his Half-brother Death (1874) by John William Waterhouse (1849–1917). Private collection.

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Sleep and his Half-brother Death (1874) by John William Waterhouse (1849–1917). Private collection.

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illustrator of poetry and children's books ~

Florence Harrison ~ 1877~1955

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Love's Messenger (1885) by Marie Spartali Stillman (UK, 1844-1927). A dove carries a love letter to a woman standing in front of an open window. She wears a red rose & has just put down her embroidery of a blind-folded Cupid.

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