Paul Cézanne studied the works of earlier artists and admired Jean-Baptiste-Simeon Chardin, whose still lifes feature an air of informality, as if he were working in his kitchen rather than his studio. By contrast, Cézanne’s settings are more ambiguous, space flexing and tipping.

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master study of a Cézanne 🎨
watch me paint it here: https://t.co/PnhVtI2EAB

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Paul Cézanne ‘Le Château de Marines’, 1888

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美しさを追求する果てに光にたどり着いた印象画法
リアルな絵よりもむしろ人間の中に溶け込んでくる

「Dear Cézanne」

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'The title is key: Cézanne Drawing, rather than ‘Cézanne’s Drawings’. This is not a traditional exhibition [...] visitors see that Cézanne drew on just about every piece of paper – recto and verso – that he touched.'

Read this month's free review: https://t.co/A5b4WwdF43

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“The subversion of expectations turns what could have been a staid, Old Masterish presentation of an all-too-well-known canonical artist into something suspenseful and dramatic.”

Paul Galvez on “Cézanne Drawing,” closing soon : https://t.co/kMkA4WqswK

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Batch 3 Art Class
Day 2: Referenced Paul Cézanne’s still life fruits and made a collage from papers we painted.

The kids were really challenged with this since I switched to something illustrative just to test them a bit. I’m glad they pulled through 🥰💜✨

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Last chance! Just one week left to see “Cézanne Drawing.”

Explore how drawing shaped Paul transformative modern vision through Saturday, September 25. get a last look at the exhibition on Sunday, September 26.

Learn more at https://t.co/Zi0UtVjyMQ

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Paul Cézanne, Foliage (recto); Study of Trees (verso), 1895 https://t.co/PS4EFggCUN

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Paul Cézanne, Portrait of Cézanne, c. 1898–1900 https://t.co/Yo6O0zwGVC

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La Montagne Sainte-Victoire au grand pin

Paul Cézanne
Oil on canvas, c. 1887

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