It's reminding us to stand up against bullying of and minority communities. Clockwise from top left, here are some pinks by Georgia O'Keeffe, Helen Frankenthaler, Berthe Morisot, and Hilma af Klimpt.

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Berthe Morisot
Young Girl Braiding her Hair

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Manet, 'El reposo' (retrato de Berthe Morisot), h. 1871, RISD Museum/ Utagawa Kuniyoshi, 'Recuperando la joya robada del Palacio del rey Dragón', 1853

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Jeune fille lisant, Berthe Morisot, Fondation Bemberg https://t.co/7GndSuW9hI (Palette: 🖌🎨

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"Eugene Manet on Isle of Wight".((1875)
By Berthe Morisot.French impressionist
Musée Marmottan Monet, Paris
>Brother of Edouar Manet and husband of Morisot

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Cassatt's mural for the women's building at the Chicago Exposition in (1893), Plucking the Fruits of Knowledge, pays homage to Morisot's The Cherry Pickers (1891)

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Both Cassatt & Morisot were devoted to their mothers. Here are Mrs. Cassatt Reading to Her Grandchildren (1880) and Mother and Sister of the Artist (1870).

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Berthe Morisot and Her Daughter Julie Manet, Pierre-Auguste Renoir, 1894

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Morisot’s art provides a window into the social changes of Bourgeois women in the 19th C & their evolving gain in autonomy. She died, sadly, before women got the vote. Little Girls At Window (1892), Two Nymphs (1892), Jeanne Pontillon (1893) & On the Balcony (1893)

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Academics dismissed Morisot until recently. They viewed her work as sentimental, thus allowing their own preconceptions to colour their (male) view. Woman in Black (1878), A Summers Day (1879), Women Picking Flowers (1879) & Young Woman Dressed for the Ball (1879)

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Morisot’s philosophy was to paint light & dissolve colour into component parts for the eye to mix. Critics have described this as feathery brushstrokes but that is to miss her goal. The Psyche Mirror (1876), Woman with a Fan (1876), Tureen & Apple (1877) & Summer (1878)

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Critics have sought to categorise her work into periods. A woman of Morisot’s ability does not fit into boxes, however, so such straitjackets are best avoided. Aboard a Yacht (1875), Eugène Manet on the Isle of Wight (1875), Dahlias (c1876) & Still Life (1876)

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In the early 1870s Morisot explored the use of watercolours. Watercolour allowed her to complete studies quickly & with chromatic vivacity. Young Woman (1871), On the Balcony (1872), The Artist’s Sister & Niece (1872) & The Cradle (1872)

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