画質 高画質

Gustav Klimt, Estudio para Judith II, 1908. Lápiz, tiza negra y gouache sobre papel, 54,2 x 34,5 cm, Leopold Museum, Viena

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Last of my selection of paintings for showing & the dragon, by leading French Symbolist artist. Inspired by & & https://t.co/vgiHT7IAUZ

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Gustav in fisher outfit (WIP)

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It's 🌏 and we are celebrating with these landscape paintings 🏞️ by

We hope this brings you a breath of fresh air 🍃 this

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by Mexican artist © Gustavo Rimada

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KISSES
-Antonio Alciati
-Gustav Klimt
-Henry de Toulouse-Lautrec
-Francesco Hayez

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Gustave Moreau (1826-1898), details.

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Francesca y Paolo - Gustave Doré

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Vitellius devient empereur romain.:19 avril 69
Le 19 avril, le Sénat romain entérine la nomination de Vitellius comme empereur. le nouvel empereur fait l preuve d'une grande cruauté et devient rapidement impopulaire

Charles-Gustave Housez, La mort de Vitellius (1847).

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Gargantua and Pantagruel by François Rabelais (1494-1553)
Gustave Doré (1832-1883)

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The Muses Leaving their Father Apollo to Go Out and Light the World, 1868

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Pierre Marcel-Béronneau was a French Symbolist painter (1869–1937). "One of the most brilliant students" of Gustave Moreau " he also depicted myths. He brought a haunted, evil quality to the figures of Salome and Orpheus.

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Ceci-dit, penchons-nous sur ses œuvres les moins connues.
1) Reître et captives,
2) Apollon et les satyres,
3) Phoebus et Borée,
4) Le poète et le saint.

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Gustave Moreau - Hésiode et la muse, 1891,
Hésiode, auteur de La Théogonie, sorte de glossaire informatif sur les dieux de l'Olympe est une des références auxquelles les mythologues aiment avoir à faire.

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Symbolist, Gustave Moreau concerned himself with ethereal biblical & mythological themes & died 1898: "I believe neither in what I touch nor what I see. I only believe in what I do not see, and solely in what I feel."

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Décés le 18 avril 1898 : peintre, graveur et dessinateur français (° 6 avril 1826).
Lumineuses ténèbres : https://t.co/TWIN2Ple8g

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"Moreau's figures are ambiguous... lovers look as though they were related, brothers as though they were lovers, men have the faces of virgins, virgins the faces of youths; the symbols of Good and Evil are entwined and equivocally confused" (M. Praz)
Gustave Moreau 1898

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