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.. that a lot of ugliness is shallow as well. To think that ugliness is more trustworthy than beauty is to take a cowardly stance: you refuse to search for real beauty, you stop on the surface, and that’s a sign of apathy. Fear and laziness.”©Maria Kreyn

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2021-06-01

Most people and most systems are afraid of beauty, certainly. I think beauty is thought of as passé. But that’s just because we have a linguistic problem in that beauty has been inextricably bound to shallowness. What people don’t understand is...©Maria Kreyn

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2021-06-01

Eso es lo que vi en las grandes obras tradicionales, y eso es lo que merece tender un puente con nuestro mundo del arte. Es profundamente relevante. El comportamiento humano no ha cambiado con el tiempo.…©Maria Kreyn

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2021-06-01

“Hay un cierto espíritu en lo clásico / barroco / renacentista, etc., que se vincula con la persona contemporánea y el arte contemporáneo. Pero no es un espíritu que veo destacado en el mundo del arte actual. De hecho, ese espíritu está marginado…©Maria Kreyn

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2021-06-01

“Cuando era más joven, solía pensar que necesitaba pintar como un hombre… Más tarde me pregunté qué significaba pintar como mujer. Ahora trato de pintar más allá de ese binario, como un ser humano…©Maria Kreyn

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2021-06-01

C’est profondément pertinent. Le comportement humain n'a pas changé avec le temps. Tout ce que vous avez dans votre code mental, génétique et ancestral est révélé à tout moment…© Maria Kreyn#womanartistt

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2021-05-31

J'enquête sur un ensemble particulier d'émotions humaines, en essayant de leur donner une voix qu'ils n'avaient pas forcément dans l'histoire de la peinture, particulièrement en ce qui concerne les femmes. "© Maria Kreyn

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2021-05-31

Quand je peins des femmes, je demande, à quel point pouvez-vous être vulnérable et toujours être forte? Je reformule des techniques anciennes pour raconter une histoire humaine contemporaine…©Maria Kreyn

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2021-05-31

The 'Barbara Hepworth: Art & Life' show opens today! Info here: https://t.co/jFJMcroA23. This is her Curved Forms with Green of 1943, given by the artist's friend Margaret Gardiner to in 1979. (c) Bowness

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2021-05-21

Just when I think I’ve finished, I fiddle a little more on Ory’s portrait.
I add a detail close up to show the color layers - just wish I had a better camera :(

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2021-05-13

comission made by
its her rpg caracter

the process was very interesting because I never did anything like that, I'm very happy with the result

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2021-04-27