Sur ce Hercule, un peu loser, on peut remarquer un emprunt à un dessin de Mantegna copié par Dürer et légendé en phylactère, "Orphée le premier pédéraste", l'enfant qui fuit la scène vient de là, tout comme la vertu swingueuse, une ménade sur le point de frapper Orphée

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Première indice, il a un coq sur la tête. C'est souvent un symbole de Mercure, comme sur ce dessins de Dürer et donc des mecs beaux parleur, comme ce type au bas de l'apocalypse du même Albrecht ou, pourquoi pas, le fou de la dernière fois

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Aujourd'hui, je vais dérouler quelques détails de cette gravure incroyablement touffue d'Albrecht Dürer. Pleins d'idées semblent s’enchevêtrer dans ce talisman compliqué: le choix d'Hercule. Coq sur la tête, mâchoire d'âne et petits oiseaux à dérouler

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Albrecht Dürer's illustration of a stag beetle.

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La malinconia è l'aspetto più creativo dell'animo umano in quanto non può prescindere dal cuore.
Quando Dürer immortalò allegoricamente il ritratto della Malinconia, non aveva idea di quante copertine, citazioni e studi avrebbero preso spunto dalla sua opera.

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Nel 1495, rientrando dal suo primo viaggio in Italia, Albrecht Dürer dipinse due acquerelli per immortalare il castello e la città di Trento.

Oltre ad essere due preziosissimi documenti, queste opere esaltano la bellezza della semplicità.

L'aria e il colore, nient'altro.

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"The Knight the Death and the Devil" by Albrecht Dürer

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Albrecht Dürer
'Man of Sorrows' (ca. 1493)

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今日の小径
5月21日「color」

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今日はドイツの芸術家アルブレヒト・デューラー さんの誕生日らしい.
ぱんださんの絵は全て彼の名前が付いた水彩色鉛筆で描いています.
デューラーさん、ありがとう。

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Left wing of a blue roller, studied in 1512 by the great Albrecht Dürer. You would not believe that watercolor & gouache could capture this much detail! Dürer was born OTD in 1471.

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Landscape by Albrecht Dürer, who was born in 1471. While most of his work consisted of oil paintings and woodcut engravings, Dürer also painted a number of watercolour landscapes in his travels to and from Italy, particularly in the Alps of southern Tyrol, Italy.

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Happy Birthday to Northern Renaissance painter and engraver Albrecht Dürer, who was born in 1471.
In 'Melencolia I' (1514), Dürer pictured an allegory of the creative melancholy of the artist, and this engraving has often been interpreted as a symbolic self-portrait.

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I had the pleasure yesterday of seeing these two works, once the outside panels of the wings of a Dürer altarpiece, in the same afternoon.

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The 6th April is a bad day for art. It was the day Raphael, Albrecht Dürer & Domenichino died.

On the other hand it’s my birthday!

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these pieces?? by Albrecht Dürer?? very sexy. thank you for coming to my ted talk

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Further to previous Albrecht Durer post-Noted in a recent post by Laura Langelüddecke of Dürer‘s unfinished "Salvator Mundi" at The Met NY, some interesting synergies in the meticulous preparatory drawing with his 1502 "Three Saints"on panel,esp Drapery/Curtains

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European or made in by Anselmus Boëtius de Boodt, 1596 - 1610, and one by Albrecht Dürer (of descent), c. 1550 - c. 1570, coll.

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C’est pourquoi, Albrecht Dürer, Hendrik Goltzius ou encore Parmigiano sont de grands maîtres graveurs incontestables. D’autre part, la peinture dite “caravagesque” est aussi transcendante par son clair obscur…©Ingrid Maillard

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