Well, massive junkyards do fill part of the dystopian setting of my comic...

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Q4 Break out of those panels and use layering to help carry the flow of the comic.

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Q3 Seconding You want each page to look interesting, to tug at the reader's interest. Keep them invested. Sometimes the story on its own can do this, but good page layouts and art definitely play a part in that as well.

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Q2 I think a comic artist needs to consider both. If the page layout is confusing it can make the comic difficult, or impossible, to follow. Panel composition can play a part in that, too. ie: The 180 degrees rule.

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Hello I make the sci-fi/horror comic https://t.co/FPEHdorT9h (mature readers only)

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Hi ! I’m Can and I make INTO THE MIDNIGHT CITY, a comic about newbie vampires, magical detectives, and cursed witches, and their adventures!

Site: https://t.co/axpS1a1i7w
Tapas: https://t.co/QAsJBDcI5q
Early Access: https://t.co/79drwzd8WC

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Hi ! I’m Can, and I make Into The Midnight City, an LGBTQ+ comic about magical detectives, cursed witches, newbie vampires, and finding ur destiny!

SITE: https://t.co/axpS1a1i7w
TAPAS: https://t.co/QAsJBDcI5q
GUMROAD: https://t.co/k6hm0K5bKc

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Hi I'm Erin Ptah, of:

✨But I'm A Cat Person
https://t.co/7LATp9SLgO

🌹Leif & Thorn
https://t.co/JEMjmZ6x8E

Also this week: posting a bunch of webcomic character fanart & black webcomic artist retweets.

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Good to be here, as ever! I'm Patrick Tsao, the main artist on , a sci-fi military drama in the vein of BSG, except with aliens instead of robots. Check it out and looking forward to chatting.

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Here's my character from my webcomic series~

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My webcomic Undead Friend is a reboot of one from 2005, I started the reboot in July of 2018.

Undead Friend: https://t.co/nVwQ1mgZcd

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Sure they're legible, but these wide word bubbles look mighty ugly. You want your word balloons to be nice and compact.

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Q3 I agree with everyone about the text being legible, not crowded, etc but another thing you want to consider is how visually appealing the text layout is. Here's some of my older comic pages as examples of what NOT to do with speech balloons.

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Q2 I like to add little flourishes to speech bubbles when the sound is coming from an electronic source, or when a character has a particularly ominous voice.

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