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@hayertalbe @FriendArt_ @Sensibilia8 @GerardLDonadoni @albertopetro2 @aralia_a @angela3nipoti1 @BaroneZaza70 @marialves53 @ValerioLivia @agustin_gut @claudioborlotto @neblaruz @yianniseinstein @Rebeka80721106 @BrindusaB1 @NadiaZanelli1 @kapii7 @CaterinaCategio @AlessandraCicc6 @EnricoCastrovil @erminiopasquat1 @cmont4560 @anne_camozzi @smarucci461 @migliaccio31 @LunaLeso @DavLucia @dianadep1 @djolavarrieta @paoloigna1 @MaurilioVitto @ANNAMAMARIABIA1 @AnnaMar90949897 @BryanMatthews23 @henrirousseau12 @revove22454 @ScottDorian4 @ritamay1 @licprospero @CristianeGLima 🎨 Pierre Auguste Cot (1837-83)
Thomas Moran (1837-1926),
🎨 Sunset Cloud, Green River, Wyoming - 1917
Springtime (1873) by Pierre Auguste Cot (1837-1883). Met Museum of Art. #FrenchArt
Unknown Artist, “Chuprassi”, c. 1837-1840 https://t.co/ECvu4StZKh #unknownartist #harvardartmuseums
Mountain of Immortals, by Tomioka Tessai (1837-1924)
#bunjinga
Springtime (1873) by Pierre Auguste Cot (French, 1837-1883). Met Museum of Art. #Lovers
Springtime (1873) by Pierre Auguste Cot (French, 1837-1883). Met Museum of Art. #Swing
Palmer visited Italy for two years (1837) The Colloseum, Rome (1837-9), Italian Hill Town (c1838) & Cypresses of the Villa d’Este (1838). I particularly love his intense study of Cypresses. In the 19th C Cypresses were popular with aesthetes
Unknown Artist, “Chuprassi”, c. 1837-1840 https://t.co/ECvu4StZKh #unknownartist #harvardartmuseums
🌸 The floral cabinet and magazine of exotic botany
London: William Smith, 1837-1840.
https://t.co/hhRuwv3Pk4
Shelleyan 17 is among my favourites. For A. C. Swinburne (1837-1909), Shelley was an unquestionable genius. 'Notes on the Text of Shelley' is a supreme work of criticism and advocacy: 'It is seldom that the work of a scholiast is so soon wanted as in Shelley's case it has been'.
Springtime (1873) by Pierre Auguste Cot (French, 1837-1883). Met Museum of Art. #Spring