Sad to hear of the death of Victor Ambrus. Link to Authorgraph 'the kind of illustrator who understands just how much good illustration adds to any story & exactly how professional any illustrator must be to provide that.' Obit in our next issue.
https://t.co/1MsnhsvQIR

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My most recent work on paper:

Digilogue 7
Acrylic, Spray Paint, UV Pigment, Airbrush Ink & Clear Gel Medium
250 gsm BFK Rives
19.5” x 25.5” (49.5 x 64.7 cm)
2021

https://t.co/d6BKSUG7NJ

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Digilogue 6
Acrylic, Spray Paint, UV Pigment & Airbrush Ink
250 gsm BFK Rives
19.5” x 25.5” (49.5 x 64.7 cm)
2021
https://t.co/cVGDbhTTSt

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My latest work on paper:
Digilogue 5
Acrylic, Spray Paint, UV Pigment & Airbrush Ink
250 gsm BFK Rives
19.5” x 25.5” (49.5 x 64.7 cm)
2021
https://t.co/ULMnHbPHHw

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←4月の武器持ちbfk
→12月の武器持ちbfk
これが8ヶ月の成長。

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If you're enjoying listening to Helen Oxenbury on have a look too at our Authorgraph interview (#BfK62, 1990) https://t.co/vMSOvZUCY0 and this, 2009, in which she explains the thinking and techniques behind her
https://t.co/0ZPfcJJ21P

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このdrawing作品は古紙(版画用紙BFKリーブ)に描かれており、裏は抽象版画絵となっております。今年描いているペン画はこの紙を主に使っています。

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"Everything can hear and think, but not everything can talk" Michelle Paver on inspiration from the Sámi for the brilliant Viper's Daughter. New interview https://t.co/6WwXrElMZI

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"You need the darkness to see the stars."
NEW interview: discusses the brilliant Viper's Daughter with https://t.co/6WwXrEDnRg 🐺

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⚠︎女装注意
BFK兄さんにメイド服へ変身してもらいました

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Painted with Holbein Acryla Gouache on Rices BFK paper and outlines in ink. 🖌️

https://t.co/XiSyLlslhg

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Variants: el voladís de la casa Kaufmann (1936).
Frank Lloyd | Casa G.D. Sturges, Brentwood Height, California. 1939 [+cadira BFK Antoni Castellana+Jorge

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Hip hop, rap, conversations with Lewis Carroll, and THAT revolting nose poem ... the changing face of poetry for children as observed by Our new blog for
https://t.co/xvtyo5EbpC

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Another highlight in our new issue Elizabeth Laird discusses The House Without Walls with Nicholas Tucker https://t.co/EhzciobtEZ

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“Rosy” 11x14, mixed media on Rives BFK. This was an experimental piece for me. I wanted to focus on tackling more dramatic light/shadow and trying to use a really saturated palette. Neither of these are my usual approaches, so I feel like I learned a lot.🤓💪🏻

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A rich alchemy ... Kate Greenaway Medal winner interviewed by in the new issue https://t.co/OhAVtiqRbQ

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