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Currently (re)reading Nausicaä of the Valley of the Wind by Hayao Miyazaki. Every time I take it, I fall in love with it again. It's such a masterpiece, if you haven't yet read it, read it. You'll be glad you did.
📚 40 ans après sa publication au Japon en 1983, LE VOYAGE DE SHUNA, l'épopée manga signée Hayao Miyazaki, s'apprête enfin à sortir en France ! Cette (monumentale) pépite à l'aquarelle va paraître chez Sarbacane le 1er novembre. Plus que 239 jours à attendre... ⏳
#EscenariosGhibli Paisajes, en 'El viento se levanta' (Hayao Miyazaki, 2013).
✏️ Bocetos originales a acuarela de 'On your mark' (Hayao Miyazaki, 1995).
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"Chicken epic clouds!!", hyperdetailed digital illustration by Clamp, Hayao Miyazaki, Wadim Kashin, Yoshitaka Amano, Josan Gonzalez, Carolina... - made with @NightCafeStudio
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Storyboards by Hayao Miyazaki for Princess Mononoke (1997), dir. Hayao Miyazaki, Studio Ghibli
I've been practicing 2D animation these days, and found these cool run cycle references by Hayao Myazaki. I thought it would be a good base to practice some run cycles. Here is one of my attempts.
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'Nicky, la aprendiz de bruja / Kiki, entregas a domicilio'
(Hayao Miyazaki, 1989)
L'Atlantide incarne l’Utopie : un modèle d’harmonie à atteindre 🌟
De Hayao Miyazaki, par les comics ou Disney, etc… ils sont nombreux à s’être emparés de cette cité perdue pour peupler leur monde.
Explorez le mythe antique avec @AureliePaci !
👉 https://t.co/fhaS4mSAdP
You summon Harpy Magician Girl in attack mode! How cute is she?
Art by @/HAYAOKIfromANMN
#vtuber #historiart #yugioh
Totoro.
Acuarela sobre papel.
2021.
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#drawing #draw #drawings #art #arte #artoftheday #acuarela #watercolor #watercolorpainting #watercolorart #watercolors #acuarelasobrepapel #totoro #myneighbourtotoro #mivecinototoro #anime #hayaomiyazaki #studioghibli
#EscenariosGhibli Detalles de la cabaña de Úrsula, en 'Nicky, la aprendiz de bruja / Kiki, entregas a domicilio' (Hayao Miyazaki, 1989).
✏️ Boceto original –layout– y resultado final de este plano en 'El viaje de Chihiro' (Hayao Miyazaki, 2001).