POR FAVOR QUE NO HAYA UN 5 ⭐ DE KODAI, EN LOS EVENTOS ARIKEN SIEMPRE SALE EL Y ANDO NO STONKS 😭😭😭

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Tengo miedo de que si haya un tercer gacha 5 ⭐ del evento Ariken, saquen un kodai 🫠🫠🫠

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Happy Birthday🎂Megumi Tadokoro, Chifuyu Matsuno, Yui Kodai, Kajima Satomi, Hogback, and Dogra!

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Kodaiさんをイメージで描きました 

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Rosa Ushiromiya and Sumio Kodai are building a snowman

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Atlas: I'd say I can pack on a good 10 pounds a day. That kid, on the other hand, I'd wager he can get up to 40-50 pounds in a day... without my help.
Kodai: Do I really eat that much?!

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HEKKACHONK HEADCANON:
Whereas Goliath & Mapocha bounce, Kodai crashes. I'll let you be the judge of what that means...

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I just remembered that my IRL body shape is the same as how I drew Kodai a while back (but with skinnier arms... TwT), before he ate himself to near-perfection XD.
Now I have the perfect model to redesign my future new self! X3 https://t.co/7zPiywXEAx

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RANDOM OC HEADCANON:
I like to think that Kodai has gotten so fat that he can barely lift himself out of bed, so he rolls off his bed, causing the ground to shake like an earthquake. It bothers Goliath to no end...

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Kami ka? Akuma ka? Sono sugata
Kodai no pawa ga yomigaeru

Steel Titan/Buriki Dai-Oh doodle

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🔥 Repasamos las novedades de Editorial Kodai en diciembre. Llega el último tomo de “Cuando estás delante solo pienso en empotrarte. La dulce pasión de un joven insaciable” (君を前にしたら俺はもうっ… 肉食派男子の純情な欲情) de Crow.

🔗 https://t.co/C6UqV4HsRR 📚

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Cito textual a señor kodai sakai, アギャア…☺️☺️

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Part one of a WIP I'm working on! Full picture will be miss Nova here along with myself, showing off a cotton candy matchy theme!
Thank you all for being there today on my quiet, yet productive stream! I had a lot of fun!

Featured: (New model)

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Them… and one more on the way! These are so cute and fun to make.

Vtubers as followed;
@/AlexanderStaxil
@/VampireHusbando
@/SakiWoof
@/NovaGalaxias
And me!

I love seeing all the holiday festivities and joy!

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Ce n'est pas un coup de cœur, c'est un coup de foudre!

"#MihoHirano studied painting in Kodaira, Japan. Conceptually, she focuses on the observation that people love to decorate themselves. Instead of adorning her protagonists with gold and precious stones, the painter

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