Our is from Elaine Jones' latest collection of landscape paintings, 'Mountain (Emporio), 80x70cm, Oil'.

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Tea Urn on Legs I, 2017
Hard-ground with hand-colouring
Paper and image 59.0 x 48.0 cm
Edition of 30

See more works by via: https://t.co/U7njivkOFv

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William Blake’s ‘The Ancient of Days’ features Urizen, from the artist’s self-made mythology, the bearded personification of reason and law reaching out with a compass to manipulate the universe.

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Danish Alan, 2016
From a series of four reliefs
Paper and image 90.0 x 90.0 cm
Edition of 25

See more works by via: https://t.co/yW2Na9Nd8w

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This week's comes from Natasha Coverdale. Graphic designer turned 'digital florist' Natasha creates these complex motifs using hundreds of digital layers. See her work presented by Four-Walls Gallery at stand E2 - get your tickets here: https://t.co/sOPRO9aEwn

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is Joan Semmel's Secret Spaces 1976 — a painting depicting her nude body, as seen from her own perspective. The contours of her form, enlarged and cropped within the frame, begin to resemble the gradations of a landscape. https://t.co/y3urW1avVG

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is Edward Wolfe's painting of a Police Constable from 1927.
Wolfe recalled that he first met the policeman while he was trying to break into his own studio in Pimlico (having forgotten his keys) and they remained friends for years. https://t.co/oCS9XPkMrK

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is Duncan Grant's Bathing 1911.
The nudes' bodies, like the water, are stylised to heighten the decorative effect of the image. https://t.co/SjSyTZpuU7

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Artworks for musical projects Atlas and Oceanic 🎧🎬🎹

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Good! Good! It is coming to life!
Also, don't forget to check the game and vote (if you enjoy it!) https://t.co/UcFVMaYFOA

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Highlighted Herbert Sanchez Altamar (High Seas), Oil on Canvas, 47.4 x 67.1 in

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LIAs 'Not Even Love Will Tear Us Apart' is our portraying digital love complexity. View & collect https://t.co/WlQXoGIUqE

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